Sinister Moustache performs cinematic nightmarish orchestrations. Their music is progressive, mostly instrumental rock with a shape-shifting, film score style quality. Their latest album explores a variety of musical genres, from jazz, to ambiance, to metal, to surf, as it weaves a tale similar to a symphonic opusbut with contemporary rock instrumentation (guitar, keys, effects, drums, bass.) Their dynamic compositions swap between strange and atmospheric, dark and brutal, to absurd and cartoonyreflecting influences such as King Crimson, Faith No More, Frank Zappa, The Melvins, Herbie Hancock, Danny Elfman, Martin Denny, Raymond Scott, and Nintendo Music. The Super-Sargasso sea is a theoretic place where lost things goand supposedly the source of objects that fall in anomalous rain phenomena. Sinister Moustache chose this as their latest album title as a reference to the unusual combinations of styles and sounds that make up the work. However the album is not abstract or extremely avant-gardeit follows song structure and appeals to the common listener, but with such skill to make it a real treat for the discerning listener