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rock jazz classical blues experimental country psychedelic avantgarde postmodern atonal dissonant primitive impressionistic classical country swing turkish psychedelic folk jaz
Message me for more information concerning my highly eclectic music.
My music, in brief, most often constitutes a blend of several disparate genres, a few of which are of my own invention and creation. It would take quite a while to accurately and precisely describe, classify, categorize and name it, to list them all. Simply put, my music at its most basic level approximates a comminglement of East and West, of Eastern and Western music styles. It is NOT solely confined to nor representative of just and only ONE genre; no, not even in merely one song. There being nothing here to choose from, no one genre that completely fits my work and describes my music, I selected the following, but as I and my music essentially and sequentially encapsulate nearly ALL music, I shall periodically change my profile accordingly, so that all known genres may be thus and adequately represented.
Song Info
Genre
Jazz • Swing
Charts
Peak #36
Peak in subgenre #3
Uploaded
March 25, 2025
Track Files
MP3
MP3 16.5 MB • 128 kbps • 18:01
Song Likes
Comments 51
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DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
DouglasCate
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
The Rottenest Raveups
Mar 29
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.