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Battle of the Champions
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Flamboyant "final fight" track with broad, heroic themes swirling above driving ostinati
soundtrack film music score orchestral majestic theme heroic final battle
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Cinematic Music Production
Freelance composer for all kinds of cinematic music. Contact: dustin.naegel@gmail.com Credits Film Music: The Trial of Darth Sins type: short film; genre: action adventure/martial arts; production: Christopher Nemetz, 2021. Celina type: short film; genre: drama/adventure; production: Michael Kleinfeld, 2017. www.youtube.com/watch?v=YUD0gbj-RXc Sarah" type: short film; genre: horror thriller; production: Kai Wirblat, Michael Kleinfeld, 2016. www.youtube.com/watch?v=CVx9Q85qQ40&t=3s Getuermt (en: "Escaped!") type: short film; genre: action; production: Oliver Weisskopf, Michael Kleinfeld, 2014. www.youtube.com/watch?v=NcnEBL4Tk7w Drogendeal mit Vertretung: type: short film, genre: crime; production: Oliver Weisskopf, Michael Kleinfeld, 2015. The Dagger of Deliverance: type: fan film; genre: fantasy/adventure; production: Philipp Weimann, 20052006 (unreleased). Game Soundtracks: Miguel Detektiv auf leisen Pfoten (en: Miguel - Feline Investigator) genre: point-and-click adventure; development: Thomas Oelkers, 2017. Das Geheimnis des Hyperaffen (en: Apepocalypse) genre: point-and-click adventure; development: Borstoworx, 2010. Dark Crypt genre: dungeon crawler; development: Thomas Oelkers, 2008. Affenkrach am Giraffenbach genre: jump-and-run; development: Andreas Mettler, 2007. Codename: Stinkon" genre: point-and-click adventure; development: Borstoworx, 2005. Ultima IX: Redemption genre: role-playing game; development: Florian Kasper, 20052016 (unreleased).
Song Info
Genre
Classical • Symphonic
Charts
Peak #3
Peak in subgenre #1
Author
Dustin Naegel
Rights
2018
Uploaded
January 06, 2018
Track Files
MP3
MP3 3.9 MB • 160 kbps • 3:25
Story behind the song
For a long time I wanted to write something like this: a flamboyant "final fight" track with broad, heroic themes swirling above driving ostinati. Originally this piece belongs to the score I wrote for a student film project realised many many years ago. The music was produced via a MIDI-based digital sequencer and of course orchestral sample libraries. Unfortunately, the London Symphony Orchestra was just too busy at the moment for a recording session. :P While the last bars in asymmetrical 7/8 meter surely feel a bit overloaded (with syncopated choir fills and such), I am quite happy with the overall arrangement and the final mix.
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