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Vice*Verse*Versatile
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Strictly rhymes! NO chorus. Check out this f*c*in sh*T and you'll say "DAMN!" haha Underground style from yours truely Vice-Verse-Versatile of Universal Speakers
universal speakers vice v
Artist picture
Universal Speakers, 3 talented ladies in Long Beach who started way back in 1995. Vice, Verse, and Versatile. www.mujestic.com. Reggae, Hip-hop, and R&B! Fres
3 talented ladies who make their own beats without sampling, write their own lyrics, and produce their own work. Vice-Verse-Versatile combined their different styles to create Universal Speakers. Reggae/Hip-Hop/and R&B Flavors. We do music for the love of it! Not to work. Enjoy and pass on the music.
Song Info
Charts
#150,646 today Peak #1,312
#93,972 in subgenre Peak #695
Author
Universal Speakers
Rights
2004
Uploaded
June 11, 2004
Track Files
MP3
MP3 3.4 MB 128 kbps 0:00
Story behind the song
The beat! It is kicking. The homey Bora made it. Much props Bora.
Lyrics
ViceVerseVersatile Vice: Far from a distance of the atmosphere, Beyond the existence of the ever so clear, It’s weird. Three lady prophecies, Here to expose a reflection in the mirror That you see, whether or not you believe, So many ladies have been known to amaze me, With versatile effects, A verse that can affect, The artery, shoot through you like artillery, Like woman in the military, Armed with forces, Go up to the sky with the orbits, I be the first lady on the moon with a blunt So high, I consume through the mask, Do I look nice, viceversa mother fuckas, Might as well compare this to wu, Cuz we got the tang, We got our own thang. Originalist, lyricistholics, microphone anonymous, I despise those with the evil eye Who cry, I didn’t say shit, I didn’t say shit. Mother fuckas yeah, and this is what We’ve been talking about….motherfuckas. Verse: Visualize, verbalize, open your eyes, criticize and patronize, 3 females from the pharcyde we advise, we apply, thoughts to your mind as we take you on a journey through our rhymes aquarius libra Taurus signs in these rhymes personality is combine once upon, I wasn’t strong, I looked upon life as a leprachaun, weakness is gone if it’s there, then it’s not shown, from 1980 we have grown not your average girls with straight hairs or curls not your average minds, 3 different minds one more time you can call it what you want but to me it’s not underground, just a different sound with minor adjustments to the contents styles from various continents universal speakers fly like comets can’t compare us to any other 3 spell it with a capital V and end it with and E Out of the pacific shore of the LBC These female emcees. Versatile: Intoxicated, verbally frustrated, lyrically all rated, Like engravement, we cannot be faded, DNA generated, it’s never duplicated, The verbal context are complex, Known to around town to cause new sense Female rhymers never truant, Rhymin’ fluent, Viceverseversatile considered elusive, In their music, it’s u n I verses all, Combined with on three protocols Slangin’ tapes from the back of a Uhaul. Another underdog want to test their skills, Their will, their rhymes their eager, in due time, Will disintegrate, cause of the hate they penetrate Towards Universal, and it’s an already won battle, Like out beauty, it’s only natural, Making it hard as a rock and solid as a statue. Vice: Props to those who make it And props to those who don’t Love to those who hate it. And love to those who’s sprung. Versatile Liking the way the lyrics are being hung, The words are recited and not being sung. Verse Lyrically digest Rhymes we finesse Congest what we out-take And take breath. Vice: Cuz we be the ghetto classics I In the atmosphere Slurs and slang’s our thang We’ll bang our fingers up your ass, Takes one to know one so don’t talk back Verbally internally, burning you third degree, I have a high percentage of viscosity Only the out of ordinary can see me Step into my world where it’s fun To be a girl, When you leave a man standing With his jaw to the floor, Oh, now that’s hardcore. Written by: Sarah Yem/Sokvy Ngong/Lisa Mony (Copyrighed 2004)
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