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Mystic
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It was time to do something a little more jazzy for a change. Once a piano solo, this simple little melody lent itself perfectly to a nice accompaniment of trap and bass.
jesse worley piano ballad
One guy with a full digital studio, 20 years of piano training, and way too much time on his hands.
I'm a workaholic when it comes to music, often taking on far more projects than a single human should endure. I start somewhere between ten and twenty pieces of music per week, though no more than a couple per month make it to a second round of writing. At any given moment I'm working on several pieces of music, with about one in three coming to completion and release. The rest are usually stored, as I find that elements of unreleased music often work in current undertakings. Given time, every note that I write finds its way into a released work. Composition for me is as much a part of my life as eating and sleeping. While I once believed I actually had a need to write music, I've learned otherwise over the last few years. I write music, quite simply, because it's there to be written. There is a constant score playing in my mind as I live my life, and my inspiration is drawn from that. Sometimes the music isn't worth listening to and I write very little, and sometimes the music is too powerful for me to sleep.
Song Info
Genre
Jazz Smooth Jazz
Charts
#7,098 today Peak #48
#1,857 in subgenre Peak #14
Author
Jesse Worley
Uploaded
September 13, 2002
Track Files
MP3
MP3 4.0 MB 128 kbps 0:00
Story behind the song
I originally wrote this piece as a solo piano work. When the time came to finally record something I felt that a little more upbeat style would be suiting. I chose to work with a little more jazz-style percussion which swung the overall theme pretty well. I was happy with the way it sounded in the early writing stages, so I kept going with it. I brought in a friend, Danny Snook Sr., to assist in the percussion work. He provided some fantastic insights to percussion work, many of which I employed in the work here. His insight was not only valuable to this piece, but will continue to be the rules which I write percussion to. There is still a piano solo based on this piece that may someday accompany it, if time permits the recording.
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