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A Taste of Pachelbel (Sommermeyer)
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Guitar instrumental inspired from the famous Canon of Johann Pachelbel (1653-1706).
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Eclecticist in the positive sense, in broadest terms between Classical Music, Blues, Country, Folk, Rock, transforming himself into the entire variation of styl
JS (Joerg Sommermeyer) started at the tender age of ten with a dust-ridden 'beater' Harmony six-string acoustic dreadnought passed down from his father. While growing up in South Germany he first cut his teeth every evening around sundown while playing for his family. Later, he played in a band, hit the local scene and studied classical guitar with Victor von Hasselmann and Anton Stingl. Eclecticist in the positive sense, in broadest terms between Classical Music, Blues, Country, Folk, Rock, transforming himself into the entire variation of styles, with elements of Jazz, without fear of venturing into Pop, for the past five years, JS (Joerg Sommermeyer) has been performing with his group The Black Djemba. The band has enjoyed playing to their ever-increasing following in the Southern Germany Area and has gotten favourable reviews. Their material seems to be ever changing and hard to pin down categorically. What always remains the same is the unique and wide-ranging musical personality of JS (Joerg Sommermeyer). Besides Joerg Sommermeyer is the author of the antinovel , "Pat[(h) o/a] physischer Antiroman, Tragigroteskenfragment”, published in December 2008.
Song Info
Charts
#116 today Peak #50
#40 in subgenre Peak #20
Author
Joerg Sommermeyer nach Johann Pachelbel
Rights
Joerg Sommermeyer
Uploaded
November 15, 2011
Track Files
MP3
MP3 1.7 MB 128 kbps 1:52
Story behind the song
Vielfach wird Pachelbel ueber dieses Werk identifiziert. Die Originalbezeichnung der Urtextausgaben lautet Canon per 3 Violini e Basso. Es handelt sich um den einzigen von ihm komponierten Kanon, er ist deshalb nicht repraesentativ fuer Pachelbels Gesamtwerk. Vom Kanon existieren heute zahlreiche Aufnahmen, Versionen und Bearbeitungen. Die Harmonie-Folge wird quer durch alle Musikrichtungen immer wieder verwendet. Die Besetzung des dreistimmigen Kanons wird in den Urtextausgaben mit 3 Violinen und Basso Continuo angegeben. Das Musikstueck basiert auf einer permanent wiederholten Bassfigur (Ostinato).
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