The mix begins with sound effects and an immediately catchy hook (main hook 1) melody on synth bass sound of some type. Also from the very start of the mix a driving four on the floor bass drum with extra fill hits. At the 12 second position in the mix the bass drum leaves the mix for a split second. The bass sound plays an answer to the hook melody before the bass drum returns, and there is yet another variation of the hook line. The mix continues this way until the 36-second mark, before another short drop of the bass drum pattern. Then a bass drum fill and sound effects announce the return of the original hook this time accompanied, harmonised and answered by a higher octave synth melody forming what I will call main hook 2. Shortly after the bass drum groove returns with a hi-hat and a snare accenting every second beat. The foot just help tapping at this point; everything just gets better and more danceable. At around the 1 minute 14 second position after some different sound effec
The mix begins with sound effects and an immediately catchy hook (main hook 1) melody on synth bass sound of some type. Also from the very start of the mix a driving four on the floor bass drum with extra fill hits. At the 12 second position in the mix the bass drum leaves the mix for a split second. The bass sound plays an answer to the hook melody before the bass drum returns, and there is yet another variation of the hook line. The mix continues this way until the 36-second mark, before another short drop of the bass drum pattern. Then a bass drum fill and sound effects announce the return of the original hook this time accompanied, harmonised and answered by a higher octave synth melody forming what I will call main hook 2. Shortly after the bass drum groove returns with a hi-hat and a snare accenting every second beat. The foot just help tapping at this point; everything just gets better and more danceable. At around the 1 minute 14 second position after some different sound effec