Subtitled The Orwellian Overture, the production was necessarily experimental in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation of our post 9/11 world. Your papers please!
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I seem to remember writing this as a more serious composition in response to Paul McCartney's 1985 from his Band on the Run album. Although written several years after 'Band on the Run' was released, I quite liked his take on an Orwellian theme. This came to me as a piano track, although I knew that electric guitars would ultimately become a big part of the production...
Instrumental