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Beats by Ozone for Toxiq Entertainment. The HOTTEST Beats on the net. Believe that. and were composed by for . Instrumentals indicated as 'Free Downloads' may be used for any and all broadcasting/commercial purposes as long as 'produced by Ozone' appears in the credits. For information on purchasing Exclusive & Leasing rights to any of these beats, contact: ________________________________ ________________________________
Beats by Ozone for Toxiq Entertainment. The HOTTEST Beats on the net. Believe that. and were composed by for . Instrumentals indicated as 'Free Downloads' may be used for any and all broadcasting/commercial purposes as long as 'produced by Ozone' appears in the credits. For information on purchasing Exclusive & Leasing rights to any of these beats, contact: ________________________________ ________________________________
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Born and bred in Zimbabwe, I was drawn by the African rhythms that eminated from the townships of Bulawayo. I taught myself how to play bass guitar and percussion and spent my time jamming with the local musicians. In 1976 I left Zimbabwe for Cape Town, South Africa where I persued my musical ambitions. Fortunately I had the priviledge to work with some of the top South African musicians. After immigrating to Canada in 1989, I discovered the advantages of working in a MIDI environment and wrot...
Intelligent but yet simple and understandable trance, house, electronica and technomusic for all generations and cultures with their own distinguishable style a Hi there, My name is Armand. I am a Dutch keyboardplayer with a big passion for electronic music. At the age of 5 I started playing the organ in our livingroom but actually decided that drums would be better for me. So I went to a music-school and got 6 years of drums-education. After playing drums in a couple of bands I found out th...
