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noise, ambient, folk, odd, experimental, soundtrack, Interview by Qa’taari, June 1996 THE BIG SEIT OHR_KÄSTRA has always been, and will probably always be, the most unique, obscure and mind-challenging orchestra for my 1000 selves. I came across the group around 1989 when there were only tapes of them existing, and these tape releases were difficult to get, at least in good ol’ fuckin GerMoney. The only possibility to buy them, if you weren’t deeply involved in the international cassette-net...
Spagirus is an experimental/ambient/drone project that operates with the intent of providing a listening environment conducive to expanding awareness of pure so Spagirus is an experimental/drone project that operates with the intent of producing a listening environment conducive to expanding awareness of pure sound.
experimental, electronic, jazz, world fusion coaxial; 'having coincident axis.' the 'axis' being complimentary takes on music & sound. the music featured here is a (growing) collection of collaborations between myself, michael chocholak, and other sonic beings.
Experimental, improvised, noise, electronic, free-jazz, out-rock, 21st century compositions, sonic art, found sounds, gritty-clicky scratches, tense filmic pass Ernesto Diaz-Infante, guitarist, multi-instrumentalist, composer and improviser is an active member of the vital San Francisco experimental music scene. Born in Salinas, California, Diaz-Infante's early musical life began with private piano lessons and in high school jazz, marching and concert bands, garage rock bands and Mexican conj...
Music for film, video, documentals, animations. Sound design and foley. Soundscapes. Thanks for visiting. Glorysounds is now Chronic Music. Here you can listen and download some examples of my work in film music, soundscapes and soundesign.
Free-jazz, experimental, outdegree Eli Asher: 'My goal as an improvising trumpet player is one native to many post-jazz musicians--to integrate the diverse means of musical expression I've found myself entangled in. This means, somehow, reconciling the lyricism of late 19th-c. and early 20th-c. Western music with the abstraction of chance-based and experimental electronic musics, the harmonic concerns of progressive jazz and concert musics with the heavy and structural inflection of the blue...
Electro-acoustic multi-instrumentalist and found sound artist based in the practice of Deep Listening. Mostly solo. As a composer and performer, I use flutes, percussion, found sounds, and field recordings with Audiomulch and live loops to create sonic playgrounds over which I improvise. I'm a practioner of Deep Listening, a form of meditation based on an expanded awareness of sound. Living in Kingston, NY, I work with Pauline Oliveros, Ione and a community of artists creating new work at
Music for film, video, documentals, animations. Sound design and foley. Soundscapes. Thanks for visiting. Glorysounds is now Chronic Music. Here you can listen and download some examples of my work in film music, soundscapes and soundesign.
Electronic,noise,soundscapes,beats,hiphop. SoundSculpture,Minamal noise,Soundscapes,Beats,Samples,ect. Let me know if you like any of it. Thanks, Matt
noise, ambient, folk, odd, experimental, soundtrack, Interview by Qa’taari, June 1996 THE BIG SEIT OHR_KÄSTRA has always been, and will probably always be, the most unique, obscure and mind-challenging orchestra for my 1000 selves. I came across the group around 1989 when there were only tapes of them existing, and these tape releases were difficult to get, at least in good ol’ fuckin GerMoney. The only possibility to buy them, if you weren’t deeply involved in the international cassette-net...
Free-jazz, experimental, outdegree Eli Asher: 'My goal as an improvising trumpet player is one native to many post-jazz musicians--to integrate the diverse means of musical expression I've found myself entangled in. This means, somehow, reconciling the lyricism of late 19th-c. and early 20th-c. Western music with the abstraction of chance-based and experimental electronic musics, the harmonic concerns of progressive jazz and concert musics with the heavy and structural inflection of the blue...
Experimental, improvised, noise, electronic, free-jazz, out-rock, 21st century compositions, sonic art, found sounds, gritty-clicky scratches, tense filmic pass Ernesto Diaz-Infante, guitarist, multi-instrumentalist, composer and improviser is an active member of the vital San Francisco experimental music scene. Born in Salinas, California, Diaz-Infante's early musical life began with private piano lessons and in high school jazz, marching and concert bands, garage rock bands and Mexican conj...
Avant Garde Surf-Jazz Soundscaping
field recordings of nature sounds and industrial sounds This site hosts field recordings by the ambient artist Gurdonark. The purpose of this site is to provide recordings of nature sounds and other phenomena for use by all and sundry on a Creative Commons attribution license. If you are seeking recordings of nature sounds to meld into your own musical pieces, or to enliven your website, then this page is a free resource, ready for you to use. Please attribute any use to Gurdonark and add...
cool soundscapes Damba creates compelling and emotional electronica on the verge of trance.
Experimental artist working with field recordings and electronic sound sources Dale Lloyd has recorded and performed in several groups as well as produced different projects for over 10 years such as After The Flood, My Diva, Sage, Lucid, Bambule, Cindytalk, DASL-Zen Tread, and Preg Meta 4. Dale has also had a hand in running labels Manna and AE. He currently is involved with Overheard And Rendered, which serves as a web-based center-site and CDR label for various groups and artists that he p...
Experimental, instrumental, ambient-space music. Performed live (ie: what u hear is what we heard) experimental / instrumental trio formed in '84... Bill Cramer - guitars, synths, mandolin, harmonica Dan Cramer - synths, vocoder, bass Rob Wood - keyboards, bass, guitar music uses a lotta delay lines... synths, bass, guitars generally... no vocals or drums... tracks are live... no overdubs or editing done: what you hear is what we heard.