Jon
Find out about Beyonces hip replacement, beibers' wig or Katey Perrys
Nov 3, 2011
Well okay, I might not have any proof about them but plenty of people believe in religion with no discernible proofs, eh? Surely THEY can't be wrong? hm?
Wouldya believe it? I have finally got a couple of stonking tracks up for you to throw some shapes to. Get on! is back to my old school roots of no nonsense killer bass-driven beats with absolutely awesome vox from the Forensic crew. The second(Nervus) is the hypnotic vocals of Brad Sucks powered by a wicked industrial beat and rockin' Geetars with the occasional didge thrown in for a lush mix. Please give yourself plenty of room to bust your moves, get down and dirty and strike the occasional pose…arf! Enjoy!
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TA Daaaa!
Apr 26, 2011
Well, after a sojourn following my last hiatus, I have finally returned to earth bearing gifts.
3 yes 3 brand new never heard before songs to delight, perplex and enthrall you in a purely sonic way. Have your ghast totally flabbered by the exquisite vocals of Christina Courtin of Trifonic fame as she weaves her magic chords around Sooner or later. Followed by moving robotics from my colab with Shockshadow. Oriental trip-hop anyone? Finally all bow to the legendary Faraisha music who lent her vocal acuity to a an ambientesque breakbeat foray with some none to subtle old-school d+b. OK, I might have been a tad tardy in updating my tunes but I promise there are even more real belters on there way, so stay tuned! ( Thought I would try to explain myself in the form of a crap 70's dj rather than the florrid and perculiar hiphop/gangsta-ease that seems to be passing as sum kinda diguised English, ya'll dig?)
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new track!
Jun 16, 2010
finally got around to uploading one of my earlier and fave tracks; Listen!
this was the first of a new direction of sounds for me and gave me the chance to work in my newly completed little solar-powered studio. Oh, the fun of working by candlelight and headtorches as the power rapidly drained from the batteries!
Originally recorded as a straight guitars and drums tune, the extra depth and interesting rhythms let the tune take on a new lease of life. The first time that me and the band got to play this was at a rock festival in Spain and it went down a storm; which was immediately followed by another storm, only this time, a downpour which didn't go down as well.
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