LEWNATIC
"The Lewnatic is coming to town!"
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Just Say No (#StopAsianHate) Just Say No (#StopAsianHate)
#StopAsianHate in the style of grunge!
Baptized in Rock & Roll (Class of 1999) Baptized in Rock & Roll (Class of 1999)
Codebreaker Codebreaker
The Garden of Echoes (In Memory of Winnie & Faith) The Garden of Echoes (In Memory of Winnie & Faith)
Xenophobe Xenophobe
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The Lewnatic is coming to town!
Steel Lions Studio Vlog (May 2015)
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Asian-American rock and roll guitar hero and laptop DJ.Band/artist history
Lewnatic is the electrifying, genre-blurring brainchild of San Francisco’s Patrick Lew Hayashi - a one-person band and mythic Asian-American guitar hero smashing the walls between punk, grunge, J-Pop, and digital rock. Fusing 90s grunge grit, arena-sized pop-metal riffs, and a fearless DIY ethos, Lewnatic delivers wild, hook-laden anthems with theatrical flair and cyberpunk swagger. From the bedroom studio to global virtual stages, Lewnatic’s music pulses with raw resilience, anime-fueled energy, and outsider spiritcinematic, rebellious, and unapologetically wired for the digital age. Tune in, turn up, and join the Lewniverse.
Origins and Formative Years
Patrick Lew Hayashi was born on November 15, 1985, in San Francisco, California, to a Chinese father and a Sino-Japanese mother. These multicultural roots exposed him early to a fusion of traditions, teaching him that bridging worlds breeds creativity.
By age 13, Patrick stumbled upon his cousin’s dusty Fender guitar and amplifier, setting off a lifelong obsession. Inspired by Nirvana’s raw power, Metallica’s precision, and The Beatles’ melodic genius, he taught himself chords and crafted his first riffs in a makeshift bedroom studio.
He navigated a dual curriculum at Raoul Wallenberg High School and Soko Gakuen Japanese School, graduating in 2004. His formal music exploration deepened at California State University, East Bay, where he earned a B.A. in Philosophy with a minor in Music Composition in June 2011.
These academic and cultural experiences cemented Patrick’s DIY ethos and philosophical approach to songwriting. He learned to think of each riff as a question, each lyric as a thesis, and each recording as an experiment.
Growing up in Daly City, he programmed backing tracks on outdated laptops and shared demos on early internet forums. This online hustle honed his production skills and taught him the value of community feedback.
The Patrick Lew Band Legacy
In 2006, Patrick launched his first major project, Band of Asians, self-releasing the album REVENGE on his 21st birthday. It was a raw manifesto of intent, filled with grunge grit and youthful defiance.
Soon after, he rebranded as the Patrick Lew Band (PLB), assembling a revolving internet-based collective. Members recorded their parts remotely and sent them to Patrick, who performed final production and mixed each track into cohesive anthems of pop-metal intensity.
Between 2006 and 2012, PLB’s prolific output included albums such as Jump! Rattle! And Roll!!!, Curb Your Wild Life, Let It Rise and Against, Murder Bay, and the Angry Yellow EP. These releases showcased Patrick’s ability to fuse punk rawness with melodic hooks and layered guitar work.
Creative differences ushered PLB into a hiatus in late 2012, but the seeds for reinvention were already planted. Patrick reflected on the collective’s spirit and began envisioning new ways to expand his musical universe.
In 2015, he resurrected PLB as a “virtual rock band, introducing Madeline Lewhis cross-dressing M2F alter ego using VOCALOID and AI-generated vocals. This avatar rebooted the band’s image, earning blog features and Bay Area radio mentions while laying the groundwork for Lewnatic’s genre-defying experiments.
Birth of Lewnatic Duo
On July 1, 2019, Patrick and his longtime collaborator Ahmed officially formed Lewnatic as a rap-metal duo. The name marries Patrick’s surname with “lunatic, signaling his fearless approach to genre fusion and sonic unpredictability.
They kicked off monthly residencies at San Francisco’s famed DNA Lounge, transforming the venue into a laboratory of heavy riffs, cascading synths, and spoken-word interludes. Each show blurred the lines between virtual performance art and live punk spectacle.
In August 2019, Lewnatic made their first forays into Japan, playing intimate venues in Tokyo and Osaka. These early international appearances highlighted the project’s global ambition and Patrick’s affinity for Japanese pop culture aesthetics.
As COVID-19 swept the globe in March 2020, Lewnatic’s momentum shifted. Their final duo performance at DNA Lounge on March 8 became a moment of farewell, with both members choosing divergent paths afterward.
This brief but intense chapter laid the foundation for Patrick’s next evolutionreimagining Lewnatic as a solo project that could harness digital tools and live streaming to reach fans worldwide.
Solo Transformation and Bentley Records
In early 2022, Patrick resurfaced Lewnatic as a solo act, stripping down the lineup to focus on his multi-instrumental prowess and production agility. The move allowed him to experiment with new textures and songwriting structures without compromise.
On July 19, 2022, he signed a one-year Artist Development deal with New Yorkbased Bentley Records. This partnership provided professional mentorship and resources while preserving Lewnatic’s DIY spirit and creative autonomy.
During 2022 and 2023, Patrick released three EPs under the Lewnatic banner, each exploring themes of work, belonging, and urban solitude. He also relaunched weekly live-stream shows on YouTube, turning his bedroom into a dynamic stage for real-time fan interaction.
He embraced virtual touring, collaborating with Japanese indie venues to stream performances overseas. Back in the U.S., an innovative CD/QR code street promo tour in Los Angeles invited passersby to scan and download exclusive tracksan analogue twist on digital distribution.
Patrick’s solo era honed his vision of Lewnatic as both a personal diary and a communal playground. It demonstrated how one artist could wield technology to collapse geographical boundaries and spark collaborative creativity.
Musical Style, Gear, and Production
At its core, Lewnatic is a hybrid of 90s grunge grit, pop-metal theatrics, J-pop sweetness, and electronic experiment. Patrick’s songs often pivot mid-track, juxtaposing sludgy guitar riffs with crystalline synth arpeggios.
His gear list reads like a modern bedroom-producer’s dream: a Fender Telecaster feeding into a Marshall CODE50, a PreSonus AudioBox iOne for crisp preamps, and Logic Pro as his digital canvas. He alternates between a 2015 MacBook Air and the latest HP Victus laptop for rendering AI instrumentals and looped beats.
For vocals, he layers his own tracks with VOCALOID software, occasionally resurrecting Madeline Lew’s AI-generated timbre. Effects pedals like the Boss DS-2 add distortion textures, while a modest Glarry 20-watt amp powers intimate rehearsals and livestream jam sessions.
Patrick’s production process begins with a thematic promptoften a word or phrase evoking urban life or a philosophical concept. From there, he sketches chord progressions, programs drum loops, and textures the mix with field recordings from city streets or vintage arcade game samples.
Each song emerges as a collage of real and synthetic elements, mirroring Patrick’s hybrid identity and his belief that authenticity flourishes when you embrace contradiction.
Discography and Notable Releases
Since its solo rebirth, Lewnatic’s catalog has grown steadily. His first three EPsreleased in late 2022 and throughout 2023dive into the rhythms of shift work, the alienation of late-night commutes, and fleeting connections in digital spaces.
The debut STARRCADE album in 2024 marked a leap toward theatrical flair, weaving pop-metal anthems with J-popinflected choruses. It showcased Patrick’s knack for crafting earworms that hit just as hard as his gritty guitar solos.
Singles like “My Only Fan and “Victory! have become livestream staples. They epitomize Lewnatic’s signature interplay of darkly melodic hooks and waves of distorted ambience.
Patrick plans to unveil a full-length concept album by late 2025, exploring themes of homecoming and collective memory. Early demos hint at guest features, orchestral swells, and interactive companion visuals.
Beyond releases, he periodically drops instrumental beat tapes and remix stems on his Discord server, inviting fans to reinterpret his work and collaborate across borders.
Live Shows and Virtual Community
Lewnatic’s live shows defy traditional formats. At DNA Lounge, Patrick projected custom visuals synchronized to backing tracks, while switching between guitar, keyboard, and vocal mic in rapid succession.
Since 2022, his nightly YouTube streams have drawn a dedicated subset of fans who tune in for improvised jams, Q&A sessions, and behind-the-scenes production tutorials. These streams blur the line between performance and workshop.
The virtual Japan tour paired pre-recorded video collages shot in Tokyo’s Shibuya district with live guitar overlays from San Francisco. Fans in Tokyo watched on local screens, while viewers worldwide joined via chat to share impressions in real time.
During the LA CD/QR promo, Patrick documented street performances on Instagram, turning urban alleys into pop-up listening booths. He then invited passersby to remix the tracks and return the results for spotlight features on his channel.
Through Discord, he hosts monthly remix contests, sample swaps, and voice-note feedback circles. This interactive ecosystem has become as integral to Lewnatic’s identity as its recorded catalog.
Visual Identity and Future Directions
Patrick designs Lewnatic’s cover art using collage techniques that nod to 90s VHS aesthetics and anime ephemera. The result is a patchwork style that feels both nostalgic and futuristic.
Stage outfits run the gamut from minimalist streetwear to elaborate cosplay nodsone moment he’s in a denim jacket spray-painted with circuit diagrams, the next draped in a cyberpunk-inspired kimono. These shifts reinforce Lewnatic’s fluid persona.Have you performed in front of an audience?PLB isn't known for doing many live performances. It's predominantly an Internet-based virtual rock band, and we like to keep it that way. We like to keep everything DIGTIAL ONLY for sure. But I am touring sporadically and doing Livestream concerts with LEWNATIC. I play a mix of PLB songs using backing tracks via AUX cord on my laptop hooked up to a PA at home. And also, some of my own random miscellaneous ideas through the guitar and mic. Sometimes, every few months...I play shows at the dive bar or clubs here in San Francisco with LEWNATIC. Most of the time, it's Livestream concerts and webcasts on my YouTube and elsewhere. Did you also know...PLB were early adoptees to live-streaming? We did that as early as 2009, and it wasn't as advanced yet. Now it's advanced enough to be PLB and do what we do. And what we intended away from the mainstream and traditional music industry standard back in the 2000s. Lol. As far as live performances go, it's not one of my strongest areas in music. But I still do it no matter what occasionally. I sound like a loose and straight-up punk rock band when I play shows for sure! And I like that intensity and vibe. It took me a while to pay my dues and get to my current level in the scene, but I'm very thankful it happened. Better late than never! I like to play live, I live to make music in the studio...And I just love being me man. Hahaha.
Your musical influences
Nirvana, Pearl Jam, Oasis, Green Day, X Japan, Beyond, Yutaka Ozaki, Metallica, Blink 182, Box Car Racer, BTS, Miyavi Ishihara, The Rolling Stones, Silverchair.What equipment do you use?
GUITARS:
Epiphone Les Paul
Fender Telecaster
BASSES:
Rogue SX100B
AMPS:
Vox AD50VT
Marshall CODE50
EFFECTS:
Boss Turbo Distortion DS-2
DRUMS & PERCUSSION:
Boss Dr. Rhythm DR-3
MUSIC MAKING APPS:
Sound Raw Japan (A.I.)
Launchpad iOS App
RECORDING:
2012 MacBook Pro
2014 MacBook Air
2023 HP Victus
Apple Logic Pro X
Apple GarageBand
Cheap USB Guitar Recording Interface
LogiTech USB Microphone
Apple MainStage 3
PreSonus Audio Box iOneAnything else?
Underground on, mainstream off!
Support all diversity and inclusivity for all marginalized voices and faces!
San Francisco, CA
USA
ID
1252238
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