
Leland Thomas Faegre
"...his composition, arrangement, and production skills are so vast that supervisors will view each piece as independent islands." ---Taxi

Tres Cuartos del Camino al Amor Tres Cuartos del Camino al Amor
Conceived in a 3/4 time signature, the syncopation nonetheless makes it feel more like 4/4. The basic introductory piano motif is stylistically salsa, with Flamenco guitar, timbales and guero, maracas, bongos and congas, cowbell and various sundry pe

On Top Of a Cloud On Top Of a Cloud
My signature thematic statement, on lovely cumulus and preferably without shoes, it is without effort that this ethereally tranquil, atmospheric composition will summon the listener to imagine themselves On Top Of a Cloud...

Ottoman Odyssey Ottoman Odyssey
Subtitled, 'Phantasmagoria,' 'Ottoman Odyssey,' is an arrangement derived from an earlier production comprised of a haunting motif that availed itself to mystery and ethnic interpretation. The 'world music fusion' that resulted from the additional p

Marquees, Matinees and Marionettes Marquees, Matinees and Marionettes
As the title and production suggests, this composition is an aural gift of nostalgia, and reminiscent of what a child would find entertaining. An exciting Orchestral palette, with tympani and triangle the puppets almost walk off on their own...

After You After You
'After You' is an imaginative spy themed, sweaty-palmed swashbuckling rocker which is evocatively suggestive of various thematic opportunities for film or television. It was mixed with an orchestra lay-out in mind, with tympani to the left, strings t
Drawn to influences as diverse as Beatles to Beethoven, his composition, arrangement and production technique is at once an invective incorporation of generation and genre...
For the most part a bookworm prior to the British Invasion of 1964, by the end of that year he was smitten by the Beatles and had acquired and mastered the drum kit made possible by the determination of his mother, Dorothy. He assembled some schoolmates who could play and his first band was incarnated as the forerunner to Ina and until 1968 his accomplishment as a drummer of local repute was sufficiently established. But by the Summer of '68, as the Beatles' was bulleting up the charts, a neighbors' piano and an acoustic guitar purchased with with strings nearly off the fret board would thoroughly occupy his waking hours. Remembering the strings that cut through his fingertips, he nonetheless persevered from the love of the sound of the chords--especially G major, and began to develop his skills by emulating the best of that era such as he attended Mt. San Antonio and Rio Hondo junior colleges. Whereas curricula at both institutions were authored by establishmentarians of the socialist stripe, and teaching music was never his intention, his career choices of International Relations and Music became impossible to attain. He made a constructive nuisance of himself by first challenging, and subsequently embarrassing faculty and administration alike, and was in partnership with
Have you performed in front of an audience?
Bach to Beatles
I would have to give you a tour...