Krsna Dhenu
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Pasana Dhatu Mrd Daru Pasana Dhatu Mrd Daru
This is the first song of KKSongs' 2007 recording: Visions. This song glorifies Krsna's mercy in accepting a deity form. This is based on Raga Subha Kalyana in dipchandi tala. Instruments: tanpura, swarmandal, harp, tabla, dholak, bass, ghunghroo,
Krsna Tava Punya Habe Bhai Krsna Tava Punya Habe Bhai
This is a song written by Srila Prabhupada conveying the mercy of the Lord and his spiritual master. This song is based on Raga Mand in Prabhupada tala. Instruments: tanpura, kartal, sitar, esraj, harmonium, sarod
Separation Separation
The final track of Ataraxis is a composition on Raga Misra Bhairavi with tabla playing kaherva tala.
'Bengali Monsoon Rains Kafi Colors' 'Bengali Monsoon Rains Kafi Colors'
Instrumental of the esraj singing glories of Sri Ghanasyam through Raga Megha ('monsoon raga') and the ragas of the Kafi thaat. The rhythm is Bangla ektal via khol.
'Morning Meditation' 'Morning Meditation'
This is an instrumental of esraj singing glories in Raga Lalita in bhajani tala via tabla.
Vandanam Vandanam
This instrumental is the 'invocation' track of the album which has each instrument sing glories of Krsna. Based on Raga Khamaja, this track features esraj and vina
Raga Bhupali Dhun Raga Bhupali Dhun
This is a meditative folk instrumental based off of Raga Bhupali with the khol playing a looped Bangla ektal of twelve matras.
Misra Pilu Ragamala Misra Pilu Ragamala
This is a ragamala on the guitar-vina playing a great variety of ragas exploring the 'vivadis' of the raga, Misra Pilu. The tabla tala is kaherva
Bol Hari Bol Bol Hari Bol
This kirtan is by Bhaktivinoda Thakura from the Gitavali. The last verse was popularized by Visnujana Swami. The song is in Raga Tilak Kamod in kaherva tala for the most part. Instruments: kartal, tanpura, khol, swarmandal, bansuri, esraj, harmonium,
Jaya Radha Vallabha Jaya Radha Vallabha
This set of the glorification of the Lord's name is sung in Raga Purvi in bhajani tala. Instruments: tabla, tanpura, kartal, esraj
Srimac Caitanya Deva Tvam Srimac Caitanya Deva Tvam
This is a Bagesri bhajan in kaherva followed by a Jhinjhoti kirtan in kaherva then bhajani. Instruments are flute, esraj, harmonium, tanpura, tabla, kartal, khol
Raga Alankarapriya Raga Alankarapriya
This is a vina instrumental of a Hindustani rendition of a Carnatic raga. The khol accompanies in a tintal loop
Jaya Jaya Jagannatha Sacira Nandana Jaya Jaya Jagannatha Sacira Nandana
The first track of Sandhya Sadhana gives a homely feel glorifying Lord Caitanya. Raga Kedar in kaherva tala with tabla, esraj, sitar, harmonium, kartals, and tanpura as instruments
Sri Krsna Virohe Radhikar Dasa Sri Krsna Virohe Radhikar Dasa
The final song of the Gitamala by Bhaktivinoda Thakura is this song. Composed in Raga Gunakri in rupak tala. Instruments: tanpura, sitar, sarod, harmonium, bansuri, koto
Raga Gunakri on Santoor Raga Gunakri on Santoor
This is a santoor instrumental for Raga Gunakri in rupaka tala via tabla
Raga Adana Kirtana Raga Adana Kirtana
This is the Panca Tattva and Hare Krsna mahamantra sung in Raga Adana in tintal. Instruments: sitar, esraj, kartal, tabla
Govinda Kesava Janardana Vasudeva Govinda Kesava Janardana Vasudeva
This is a Hindustani/Carnatic fusion of a song sung by Sri Rama to praise Sri Nrsimhadeva. It's in Raga Hamsadhwani in jhaptal. Instruments: bansuri, vina, violin, kartal, mridangam, tabla, baya
Sri Hari Vasare Sri Hari Vasare
This is a song describing the Lord's Ekadasi day. It is in a rare thirteen beat cycle, Visva tala in Raga Bilawal. Instruments: kartal, khol, tabla, esraj
Nava Gaura Varam Nava Gaura Varam
The fifth track is the eight prayers glorifying the son of Sacimata. The song in Raga Kafi in bhajani tala. Instruments: tabla, kartal, esraj, sitar, and sarod
Vrndavana Ramya Sthana Vrndavana Ramya Sthana
This 'dream sequence' expressing the reality of the beauty of Vrndavana is the fourth track. Originally penned by Narottama Das Thakura, this song is based on Raga Bairagi in kaherva tala. Instruments: khol, kartal, esraj, flute, vina, shehnai
