just john
A song about things you encounter in dreams, and usually only in dreams.
Lots of beat and percussion with a slithery synth bass and me talking over it.
Theme from a mutant western, enlivened by the calls of the swinglebots.
When the object of your desire has cut off all other access ... Fast 7/8.
Clockwork sounds out for a stroll, but soon my synth and looping roots betray themselves.
The name comes from 'windhandel,' which is the Dutch word Eliza uses for how her commodities trading is conducted, in Stephenson's 17th century epic Baroque Cycle.
Nightmare? Humid-sounding abstract sound, good for a horror movie.
Music for quirky-yet-diligent private investigators!
MY kind of cartoon pop music! It's an answer to Raymond Scott's "Powerhouse."
Obsessive yet stately, with natual-ish sounds and nested polyrhythms.
An extrapolation of old-school (early 70s) style synthwarbling. 132 bpm, but no drums.
In an enchanted marsh, from which Rock'n'Roll might develop in few hundred years.
My dancefloor epic. The words are perhaps the most sincere I've set to music.