Jimi Sweeney
Filter
Chocolate Eyes Chocolate Eyes
Acoustic guitar carries most of this song. Some atmospheric lead guitar too, liquid bass and me singing the lyrics. Pretty mellow, for me. No drums!
Lady Nocturne Lady Nocturne
3 different lead guitar tracks mixing in and out, deep bass and electronic drums for a change of pace, My Dying Bride-like vocals. Music is a mix of King Crimson, Katatonia and Rush. Atmospheric bridge sections, Progressive dark metal.
Divergent Paths Divergent Paths
Starts out with synth and weird guitar, goes into progressive doom metal, then acoustic guitar bridges. Some super distorted leads, rubbery bass, fusion drumming with influence by Bill Ward of Black Sabbath. spoken word in and out of the mix.
There... There...
Super distorted rhythm guitar, melodic bass, soaring, yet mournful lead guitar. Heavy yet fusion like drums. Lyrics are sung rather than spoken, I have a better microphone now.
Frenzy Frenzy
Ambient, psychedelic, metallic experimental instrumental with careening bass, swirling leads, weird rhythm guitar with an old school D404A drums machine app.
Beating Beating
Heavy, distorted, sustained guitars with some acoustic guitar also. Pounding drums, spoken word vocals, warped bass: sludge metal
Controlled Chaos Controlled Chaos
Death march/industrial doom metal with a Godflesh/Jesu influence. 3 different guitars churning behind a doomy bass, chanted vocals, drum machine martial beat.
Tell Me Tell Me
Atmospheric, progressive doom metal. 4 different guitars weaving together, a rubbery bass, fusion drums, chanted vocals. King Crimson, Rush, Katatonia and Agalloch influenced.
The End Of The World The End Of The World
Doomed up another depressing country song. Did sing it straight but I lowered it an octave. Not a happy song, heavy, ringing guitar, walking bass and thudding drums.
Mystical Mystical
Lots of sustained, warped guitars, a throbbing bass and deep, pounding drums. Ambient, progressive doom metal. Spoken word passages also.
Return To Dust Return To Dust
A piano melody I wrote and I fleshed it out with 2 lead guitars blended together, bass and drums and a repeated passage from the bible.
Spring Fever Spring Fever
Dark progressive metal influenced by Katatonia, Agalloch and Rush. Spoken word mantra in the bridge.
Grounded By Reality Grounded By Reality
Sludgy doom metal: loud drums, lots of heavy, distorted guitar, thundering bass, some weird synth in the bridge and some spoken word.
Ellipse Ellipse
Lots of guitar, inspired by Page, Hendrix and Fripp, bass inspired by Chris Squire, loud drums from Bonzo and death metal, weird synth and a mantra of spoken words. Here we go.
Warped Zone Warped Zone
Went full wah wah and channeled my 70s teenage years. Wacka-wacka rhythm guitar, throbbing bass and lots of Hendrix. Page and Funkadelic influenced leads. Drums up front and fusion-influenced drums.
Just One Just One
Kind of basic riffs with a lot of guitar soloing, some piano, up front bass, spoken word. Also some fusion drumming.
And She's Gone And She's Gone
Doom metal with a heavy progrerssive, post-rock feel. Power trio format.Trembled bass, searing lead guitar, upfront drums, spoken words and some eerie, choir-like synths in the beginning and end.
Distant Distant
Sludgy, post-metal. A deep, pulsing bass, droning synths, pounding, loud drums. Also a driving rhythm guitar with some odd lead work.
Make The World Go Away Make The World Go Away
Doomed up a mid 60s country classic. I used to sing this at work all the time. Careening lead guitars, earthy bass, weird chorus-like sound on the vocals & loud drums. Bwaaa!!!!
Hurricane Hurricane
Downtuned sludgy doom metal with lots of melodic bass, angular rhythm guitars, severely distorted leads. Drums pound away & my patented spoken word. Even a little piano. Influenced by Swans, Neurosis, Agalloch.
