Gino Foti
Instrumental Latin Jazz - A laid-back composition with bass guitar being joined by two classical guitars and several Latin percussion instruments playing different Bossa feels.
Prelude, Suite 1 in G Major for Unaccompanied Violoncello (in D Major), BWV 1007, by Johann Sebastian Bach arranged for one bass guitar in Drop D tuning.
Prelude 3 in C# Major, The Well-Tempered Clavier - Book I, BWV 848 by Johann Sebastian Bach, arranged for two bass guitars.
"Little" Fugue in G minor, BWV 578, by Johann Sebastian Bach, arranged for four bass guitars.
Part II of 'Ilm Al-Raml (The Science Of The Sand). Two bass guitars over a complex bed of doumbeks and other hand percussion playing a fusion of Middle-Eastern inspired themes, Flamenco-styled call & response, and improvisational jazz-funk.
Instrumental World Fusion - Duet with bass guitar & shamisen (Japanese three-stringed, fretless lute) trading rhythmic, melodic & harmonic ideas in a theme & variations with interludes format.
Instrumental Jazz/World Fusion - Fretless bass guitar plays rhythm, lead, and melodic themes over African drums (talking and stick) and vocal phrases, xylophone, berimbau (musical bow of African origin), kalele drones, as well as added synth beds.
World Fusion - Synth intro transitions to ensemble of bass guitars, Indian hand percussion, and female voice. Singing is based around the Hindi word for music: sangita (or sangeeta/sangeetha).
Instrumental Jazz/World Fusion - Part I of the "Triune Aspect" trilogy. Please view "full song info" for more information on this concept. Bass guitars, 12-string guitar, chromatic dulcimer, drums & eclectic percussion.
Pan-African instrumental, overweighted with South African elements. Includes tinges of Latin, Jazz, R&B. A multiplicity of interconnected sounds: percussion, guitars, saxophones & bass guitar. The title is Swahili for "Unity".
Instrumental World Fusion - Duet with bass guitar & guzheng, a Chinese plucked zither. A counterpart to "Seishinryoku", it features natural harmonics, call-and-response phrasing, and an intricate bass arrangement - one of my favorites on this album.
Instrumental Jazz/World Fusion - Featuring my Electrum bandmate, electric guitarist Dave Kulju, this piece has elements of Arabic, Egyptian, Greek, Spanish & Turkish music.
Instrumental World Fusion - Part II of the "Triune Aspect" trilogy. Eclectic piece with elements of Cuban habanera, Latin jazz, Mediterranean folk & Nuevo Flamenco. Bass guitars, classical guitar, doumbek, drum kit, dulcimer, and hand percussion.
Instrumental World Fusion - Bass guitar & shamisen (Japanese lute) duet. Companion piece to "Seishinryoku", inspired by the tragic events of March 2011 in NE Japan, and dedicated to all the people who perished.
Instrumental Jazz Fusion - Experimental piece with mallet instruments - featuring vibraphone - drums, and bass guitar. Includes some 3/4 & 6/8 versus 4/4 polyrhythmic ideas, and Afro-Latin tinges.
Instrumental World Fusion - Bass guitar & classical guitar duet over several rumba gitana/Flamenco rumba ideas. A blend of traditional Spanish and "nuevo flamenco".
Instrumental Jazz/World Fusion - Part I of "For Those Who Die With All Their Music In Them", a pan-Mediterranean composition featuring bass guitar, acoustic piano & oud, backed by doumbeks & synths.
Instrumental World Fusion - Part II of "Ten Directions", showcasing electric guitarist Dave Kulju, and interweaving dry & effected bass guitars over tabla set, Indian cymbals, tanpura drones, and shakuhachi. Heavily influenced by Hindustani music.
Instrumental Jazz/World Fusion - A blend of jazz-rock bass guitars, progressive rock guitar, and Latin-flavored percussion. Features my Electrum bandmate, Dave Kulju, on electric guitar.
Instrumental World Fusion - Part II of "Pathless Lands". Rhapsodic form with jazz-rock bass guitar, Latin & flamenco classical guitar, and prog rock drums. Features syncopated rhythms, and a synth-backed section with 9/8, 11/8, and 19/16 odd meters.