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Classical & Contemporary Music artist from Suffolk, VA. 30+ songs free to stream or download. Add to your playlist now.

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Fun with Xenharmonicity

Suffolk, VA  USA
February 27, 2004
10,555 plays
63,319 views
The time has come to say no to twelve tone equal. Ask Ivor Darreg. He knows. This project is, among other things, an argument for the further exploration of microtonal/xenharmonic tunings by more musicians. If you find this argument compelling or completely repulsive, please let me know. This project is also a response to the recognized need for more examples available on the internet, for the curious. The curious will never hope to get anywhere without trying out their ears.
Band/artist history
I was born on April 8, 1985. I began composing around '90, discovered The Rite of Spring around '99, and discovered the modern microtonal movement around '03. I graduated from Rice in '07 and will attend School for Designing Society in the fall, connecting microtones with radical social change etc.
Have you performed in front of an audience?
This is a recording-based project: most of the pieces exist more as recordings than as performances. It is a creative sandbox of sorts, and the quantity varies. When I get some recordings I'm really proud of, I'll probably put them somewhere else. When I finally get around to becoming a competent performer, I'll probably start a different page.
Your musical influences
Microtonalists I enjoy: Hayden Chisholm, Catler Bros, Gerard Grisey, Ivan Wyschnegradsky, Harry Partch, Bill Sethares, Prent Rodgers, Mats Öljare. Normal people: Stravinsky, György Ligeti, Olivier Messiaen, Poulenc, Lutoslowski, Rzewski, Nancarrow, Lois V Vierk,
What equipment do you use?
iMac. Alesis QS8, E-mu Proteus augmented by the power of Scala. VoiceTweaker microtonalable autotuner. Otonal organ. 31-tone bassoon after Johnny Reinhard. Udderbot. Kalimba. Autoharp. Harp. Musical saw.
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