
Ed Colton
Versatile singer/songwriter and musician, with experience in many styles from Rock to Jazz to Country. Multiple instrumentalist, with skills on accoustic and el
29
songs
7.3K
plays

It Ain't Happenin' For Me It Ain't Happenin' For Me
Jazzy 60's 70 uptempo pop funk?? This is a re-mastering - the first version goes back to late 2003, and I just realized I hadn't posted it on Soundclick.


Even In My Dreams Even In My Dreams
starts off quietly (sob sob) then kicks in LOUD

Paris Can't Dance - new version Paris Can't Dance - new version
New version of the 2004 classic (ha) on the constant cause celebre. More acoustic, with a touch of mid-60's dreck and Tex-Mex.

Rockin' Christmas Time Rockin' Christmas Time
Rockin' Christmas Time, written in 1986. Kind of a cross between Lynrd Skynrd, Little Feat, and (yes) John Fred and The Playboy Band. Ho Ho Ho
Show all (29)
Singer/Songwriter free lance musician since late 60's, with a variety of styles. In addition to the normal rock, pop, and whatever, I'm also a pretty decent jazz bassist (upright). I think my guitar skills(?) are finally being recognized after 40 years of playing. Remember, I started back in the days when instructional this or that didn't exist and everything was voodoo, and as a result, I have more of a distinct style than most other guitarists (yeah, clumsy). For whatever it's worth, a CD release (original rock, country, and pop material) is eminent.
Have you performed in front of an audience?
Not currently, but I am prepping myself for playing live again. Various venues in 70's and 80's in NJ and PA including some on concert level.
Among these were having Paul Simon in the audience once while playing in New Hope, PA.In addition to playing with my own band those couple of days, I also sat in on bass (yes, the upright), with Roy Bookbinder and Fats Kaplin. Other highlights included appearances at the Enlishtown (NJ) Music Hall in Bluegrass shows - including a benefit with some major figures, and jazz gigs with some established (ie - signed with several recordings out, reviewed in the NY Times) mainstream and swing era players. And to make everything even stranger, I also played a few days in a pickup band with Richie Sambora, got to the interview stage to play bass with Patti Smith back when she was thinking of something towards the avant jazz side, and turned down what I think was a gig playing bass with the Contortions, of No NY fame (sounded like "weyuh the contawshuns, we need a bass playa" over the phone) since I had other things going on at the time.
Perth Amboy, NJ
USA
ID
188499
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