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Abstraction 2 for Percussive Piano (2024) Abstraction 2 for Percussive Piano (2024)
Abstraction 1 for Treated Piano (2024) Abstraction 1 for Treated Piano (2024)
smallchaosmusic31 (2024) smallchaosmusic31 (2024)
Leichenschreie (2024) Leichenschreie (2024)
The Tall Room (with piglit) (1983) The Tall Room (with piglit) (1983)
Recorded straight to 4-track reel-to-reel tape in 1983. Each of us contributed 2 tracks without any previous information about mood, key or style. For this track we allowed listening to the bass line as we added the other tracks. Needed very little
There Was a Clicking Sound (with piglit) (1983) There Was a Clicking Sound (with piglit) (1983)
Recorded straight to 4-track reel-to-reel tape in 1983. We just made this up as we went along, track by track; bouncing down to get more tracks.
The Floor (Variations) (2023) The Floor (Variations) (2023)
MIDI makes it so easy to change things like articulation. This version includes a staccato section, and 2 sections where an instrument playing for a number of 'bars' is randomly assigned to play staccato, sostenuto or just play the bar normalando.
The Floor (Intended instruments) (2023) The Floor (Intended instruments) (2023)
Created a MIDI version and used the Virtual Playing Orchestra to finally hear this as intended.
The Floor (with piglit) (1983) The Floor (with piglit) (1983)
An experiment in composing using as much randomness as possible within a certain set of parameters. A random number of 'bars', played a random number of times, and within each set of bars the bar would last 1, 2 or 4 'beats'. I can't remember how we
Still Under Willows (with piglit) (1983) Still Under Willows (with piglit) (1983)
Recorded straight to 4-track reel-to-reel tape in 1983. Each of us contributed 2 tracks without any previous information about mood, key or style. The only thing known was when to stop the tape. Needed very little work apart from the overall balance.
Mr Herriots Funeral (with piglit) (1983) Mr Herriots Funeral (with piglit) (1983)
Recorded straight to 4-track reel-to-reel tape in 1983. Each of us contributed 2 tracks without any previous information about mood, key or style. The only thing known was when to stop the tape. Needed very little work apart from the overall balance
March (with piglit) (1983) March (with piglit) (1983)
Recorded straight to 4-track reel-to-reel tape. Each of us contributed 2 tracks without any previous information about mood, key or style. The only thing known was when to stop the tape. This is probably the most "worked" of the 6 tracks - a couple o
EmotionJustifyAction (Creepy Remix) (2024) EmotionJustifyAction (Creepy Remix) (2024)
2024
