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A Walk That Works A Walk That Works
Features a strong drum beat with FX cymbals, some poppin' bass, energetic guitar, heavy piano, and a wee bit of included ambience.
Abhor It Abhor It
Features a basis of "techno meets rock", flowing melody made heavy by additional percussion and hard bass (with a little "tribal" influence.)
Better Than an Ox or Bullock Better Than an Ox or Bullock
Features a strange combination of techno, trance and trip-hop elements (along with a touch of "rock" influence.)
Commanding the Unclean Commanding the Unclean
Features a mess of creepy synth-melody, slow beats with big cymbals and a constantly fuzzy background.
Confess, Believe Confess, Believe
Features a complete mess of intricate FX from intro to outro. Voices, pounding, beautiful melody and raging shred sounds. Plenty of starts and stops, switchs and pattern changes.
Delivered From the Law Delivered From the Law
Features a rapper's dream: perfectly placed beats, thumpin' bass lines and 70's guitar licks.
Depths of the Sea: Home to Old Sin Depths of the Sea: Home to Old Sin
Features an offbeat pattern of noisy percussion and melody sounds that progress into a frantically tranced dance outro.
Drink That Idol Drink That Idol
Features alternative-metal guitar chugging, rock bass, trip-hop beats, spacey noise inclusion and volume maximizing progression.
Enlighten Enlighten
Features a constant barrage of dramatic ambience with combined layers of synth as well as some slight percussion and rhythmic undertones.
Goodbye Leviathan Goodbye Leviathan
Features a string introduced hip-hop opening with some added folk strumming that suddenly morphs into psycho clown music with rolling bass/guitar licks and plenty of additional effects leading to a halting outro.
Grace Be Among You All Grace Be Among You All
Features an entirely offbeat yet oddly in sync sound mess driven by various beats and melody changes with some moments of "slow-down" and other examples of off-the-wall hyperness.
Grip Newness Grip Newness
Features a spacey trip-hop intro, leading into some happy-upbeat breakdowns, an old school techno invasion, some organ and trance fuzz, synthetic bass and a multi-layered finish off.
Have Some Piety Have Some Piety
Features a background symphony, drum and bass style dance beats, brief vox inclusion, dark keyboard sections, a few shocking FX moments and an oddly fading outro.
Hearts Are Pondered Hearts Are Pondered
Features a rave-happy dance format, with random melody sections and beat changes.
I Saw the Dead Standing I Saw the Dead Standing
Features dark, steady progression that morphs into an electro-pounding delight with distressed vocalization (eventually falling back into the mellowness that started it all.) The longest "To Cleanse Us" track to date, clocking in at 7 minutes!
Jerichobound Samaritan Jerichobound Samaritan
Features rave-style beats, pop melody, a little drum and bass inclusion, techno interruption, hypnotic trance tones and light shaking effects all progressing in a gradual volume-enhanced manner.
Liars Shall Not Escape Liars Shall Not Escape
Features techno bass, (dark) trance background melody, slamming beats and breathy drones.
Lifelong Laud Lifelong Laud
Features a fast-paced, hyperactive blast of beats, background effects and flowing melody. Dance music that you'll need caffeine to keep up with.
Loads of Daily Benefits Loads of Daily Benefits
Features some deep pounding, light percussion, strong noise interruption, a little guitar, a little piano and varied beats.
Manifestly Manifestly
Features a short blast of guitar distortion, slap beats and funk bass with some added techno sound-bytes.
