Brian Fowler-Kosmische Musik
Kosmische Musik: Soundscapes of starlight and shadow, carved in guitars, bass, and cosmic machines. Mutations from Home Studio, Remastered Free Downloads!
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Brian Fowler-Escape from Pygmy Island
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Free Brain Damage - Download -Remastered Collection: (Dec 2025)
Written and Performed by Brian Fowler....March-Present
Recorded at home with R24 Zoom and Wave Pad for mastering...
Instruments Used Xylophone,Therimen,Synth,Bass,Fuzz Bass,Mandolin,Acoustic Guitar,Electric Guitars,Drum Machine,Vox,Bird Chirps from Porch,Baby Cries and more sounds.Some of these tunes will be done in a studio later but here is what I recorded in Quarantine.
Plague Doctors( Fowler)
Welcome to the Plague Unit
What will be our fate?
Leather bird beak mask
Lives Fading Fast
Smoke is Rising from the burning fires
Endless Bodies in the Funeral Pyres
We want to save the sick
Leave this place where death is thick
1349 was a bad year
Kings and Queens, Rats and Fear
The only thing not infected is the sky
I scream to the heavens why?
Can I heal them of the plague
And not catch it I beg
I am too young to die
Plague Doctors never cry
Pipes of Pandemic( Fowler)
Grim reapers infest our air
Dying parents under childrens care
No one can help me I am barely alive
Its good luck I already died inside
They told me things will pass
Who knew this Plague would last
I hear the pipes of pandemic calling
Playing the song of death
The only relief I will ever know
is sound of my last breath
Quarantine signs on every door
Shaking this nation to its core
Not sure when this death will end?
Is God paying us back for all our sins
Not sure we will ever know
You always reap what you sow
I hear the pipes of pandemic calling
Playing the song of death
The only relief I will ever know
is sound of my last breath
Thru the Plastic ( Fowler)
I see you pointing thru the plastic
I see you pointing right at me
Just Like a Animal in a Bubble
Children look at me
I see you staring thru the plastic
Yes I can See!
Staring out of the Plastic
I reach out to You
We put our hands on the Plastic
And realize its a zoo
Clone Me ( Fowler)
I want to meet my clone
And live there in his happy home
To love his beautiful wife
To teach his son to ride a bike
Read the Bible to his mom
And build a shelter from the bomb
Take more shots of dna
To become more like him every day
Clone Me
Make me stronger than I am
Clone Me
Make me smarter than I am
Clone me
Teach this Robot how to love
Clone me
I am as random as the moon above
Psy-Op ( Fowler)
The problem,reaction,solution,revolution
True artificial consent,its permanent
Souls have been sold for computers,whats on your screen?
Freedom grows seeds of discontent, when in quarantine
A definite illusion ,
to cause mass confusion
To guide and direct the herd
towards to slaughter for their words
Loud speakers blow out your rights
Like a burglar or a thief in the night
When your ID becomes your chip
You may have well lost your grip
PSY-op in full swing
Like a Bird in flight with a broken wing
Pretty soon he is coming down
Reality calling is a deafening sound
Future Man ( Fowler)
Nation versus Nation
Conflict wrecks total peace
Dollars are the National Whore
Hail! Hail! The thought police
Children run and scream and hide
Afflicted by disease
Mom and Dad are chained
All property is seized
A new king with a golden mask
A drunkard with a golden flask
Is the end I have to ask
My ears are bleeding from the blast
Is this the future of the past
Im not sure I want to know
Sillouttes of Future men
Standing in the Glow
Pyramid on the White House Lawn ( Fowler)
Pyramid on the Whitehouse lawn
a symbol of the coming dawn
shows us everything has changed
I am now mentally deranged
pyramid on the white house lawn
the symbol of the new age dawn
Freedom is a distant thought
with all this commotion
I completely forgot
too busy losing my mind
is this the end of all mankind
Pyramid on the white house lawn
a symbol of the new dawn
reminder that everything has changed
forever scrambled rearranged
Pyramid on the Whitehouse lawn
a symbol of the coming dawn
shows us everything has changed
I am now mentally deranged
pyramid on the white house lawn
the symbol of the new day dawned
Pygmy Islands Trilogy recorded 5/2024
Mastered CDBABY cloud bounce
Guitar,bass,mini moog,programming
8-2-2024 recorded 2 tunes.. Circle Diver and Oceanic. Recorded at home on r24..
9/5/2024
They came out pretty cool..I mastered with cloud bounce in cd baby. I am on a low budget but having fun.
9/13/2024 recorded Fuzzy Spacefruit a bass driven jam.played steinberger thru overdrive and di.
October 3 recorded Ebb and Flow and Bye! Thursday in the home studio trying to keep collecting ideas
Recorded Pain and project fear. Both are how I felt watching bombs explode on tv. I actually had them blow up over my head in Desert Storm, Maybe it blew up inside my head. I feel pain sometimes. 11/25/2024 Happy Thanksgiving!!..Still recording music and having fun. 2-24-25 recorded project fear with new lyric and arrangement 3-9-25. Still kicking, uploaded different version of Fear and SR9. A flanged out version with almost 3 minutes of trip out at end. Still making sketches and I mine these for my official releases. I am happy folks dig the origins of the songs and the re-workings. Holla if you are on this journey, not the typical fare but original thoughts. Some are just jams they never get finished. Enjoy and its a pleasure..I uploaded a few more mixes and made a album of the collection Called spaceman..It really,is the demos for No Binoculars before the maze.I take my ideas to the group James Dunn drummer ( Secret Saucer,SPACESEED,Lord Only,The Jupiter 4) He said he needs a rollo-dex to keep up with his project and Sloan Leavens.They help produce and flesh out the ideas.4-27-2025..These are raw recordings .I make em the best I can.The R24 is not working well fading things out.I am learning to try and make recordings, but prefer working in a group.Super cool they will take my crazy ideas and flesh em out.These songs I write and take a stab at em.Glad to have Sloan sing em.
Brian Fowlers lyrics often present apocalyptic, dystopian visions, blending historical, political, and environmental commentary. He seems to be reflecting on humanity's self-destructive tendencies, especially through fear-based control, the unseen consequences of our actions, and the inevitability of cosmic or existential endings. These songs could be seen as critiques of modern society, warning about the dangers of fear-driven decision-making, environmental neglect, and the cyclical nature of societal collapse.
If you're drawn to songs that offer a mix of psychological depth, social critique, and existential reflection, Fowlers work is rich with these elements.
July 16,2025 Still recording and writing.The Jupiter 4 is out, Secret Saucers Steve Hayes lended his talents.Pick up a copy or download here on soundclick or Bandcamp. No Binoculars before the Maze is in mix down on our album and my son Charles is making a video. He is a great artist and curator of PASAQUAN. I am gonna start recording experiments again.I find my songs from these jams. All 3 anre available for download ( look in albums)I think these are interesting because they are some improv then I jam over them and some are riff oriented. I really enjoy doing these experiences and experimentation.Holla and leave me a comment.July 25th got a new tune going called Paranormal it is heavy.I am waiting for the No Binoculars before the Maze cd . We are almost done. I played Octave Mandolin and regular mandolin and acoustic guitar as well as the bass and lead guitar.I got a Yamaha synth and did a lot on synth on this album. The first The Jupiter 4 I played a bunch of keyboards, the second I didnt at all and focused on bass and guitars.I write most all the initial ideas and the lyrics and the group helps me shape em.This site is the raw, rough,and demo stuff.I am glad I made all this.Some folks like the demo stuff better than my group stuff.My son is making a video to Green Tide and The group is laying drums.Basically over the drum machine parts.These demos are basically bits and pieces of later songs and they are songs too.Anyway! Peace .put up 2 demos Tounge and Eyeball.They came out petty cool 10-8-2025. most is one take so it has a live feel and is more jam.. Brian Fowler Musician, Composer, Performer
Brian Fowler is a Columbus, Georgiabased musician, mandolinist, guitarist, bassist, and composer
known for blending Americana, bluegrass, and psychedelic space-rock. He co-founded and performed
with numerous regional and national projects, including San Francisco Blue (with Jefferson Airplane
founding bassist Bob Harvey), the Bibb City Ramblers, Blackberry Possum, the Evergreen Family
Band, Spaceseed, and The Jupiter 4. Fowler’s long creative link to Bob Harvey connects him directly to
the documented Jefferson Airplane family tree. He is mentioned by name in Craig Fenton’s 2006 book
Take Me to a Circus Tent: The Jefferson Airplane Flight Manual, in which Harvey credits him as a
collaborator on the post-Airplane project San Francisco Blue (album Idiot’s Vision) and cites their later
partnership in the psychedelic collective SpaceSeed. This publication formally places Fowler within the
recognized Jefferson Airplane lineage, bridging the band’s 1965 San Francisco folk-rock origins with
Fowler’s modern Georgia-based “cosmic Americana and space-rock explorations. Beyond music,
Brian Fowler also appears in independent film projects, including Chaos God and Sun Monster
(produced by Kreg Thornley), where he is credited under the performance alias Superczar. These cult
and experimental features extend Fowler’s creative reach beyond music into surreal and psychedelic
cinema, complementing his broader body of work across the Americana and space-rock genres. Fowler
continues to produce and perform actively throughout the Chattahoochee Valley.Dec 2025 Remastered all TracksBand/artist history
Brian Fowlers Kosmische Musik is a solo exploration of space-psych soundscapes, blending electronic traditions with raw, guitar-driven cosmic textures. Written, performed, and programmed entirely by Fowler, the project channels the lineage of early Krautrock pioneers while pushing into new psychedelic terrain.
Layers of guitars, bass, analog-style synths, and programmed sequences expand outward like orbiting satellites, creating atmospheres that feel at once futuristic and deeply human. Each piece carries the hallmarks of Fowlers avant-psychedelic approach: kaleidoscopic tones, hypnotic repetition, and a sense of journey through sonic labyrinths and cosmic vastness.
As both an artist and U.S. Navy veteran, Fowler draws on lived experience to craft music that resonates with resilience, wonder, and exploration. Kosmische Musik is not background ambience but a psychedelic transport vehicle, inviting listeners to dissolve into shifting landscapes of stars, planets, and inner dimensions.
Beyond his solo work, Brian has an extensive history in the psychedelic and space rock community. He has written songs and recorded albums with members of Jefferson Airplane, Hawkwind, and Moby Grape, and completed four albums and two U.S. tours with Spaceseed. His music and performances have been featured in Relix, Progression, Record Collector, and in Craig Fentons book Take Me to the Circus Tent. He was the subject of a full-length interview in the Jefferson Airplane U.K. fanzine Holding Together.
Brian has appeared at major festivals and venues across the Southeast, co-founded the Bibb City Ramblers, and continues to lead projects such as The Jupiter 4 and No Binoculars Before the Maze, Brian also collaborated with legendary figures like Col. Bruce Hampton. Brian Fowler Comprehensive Biography (Music & Film)
Overview
Brian Fowler is an American musician, composer, and performer based in Columbus, Georgia. A multi-instrumentalist whose sound bridges Appalachian Americana, progressive bluegrass, and psychedelic space-rock, Fowler’s creative career spans more than three decades. His distinctive “cosmic Americana identity links the folk traditions of the American South with the experimental and space-rock lineage of the San Francisco psychedelic era.
Early Career and Musical Foundations
Born March 2, 1967, Fowler began performing and writing music in the Southeast during the 1980s while balancing college and military service. His early exposure to both Appalachian folk and electric psychedelia shaped the hybrid style he would later call “Musicnaut a blend of mandolin-driven roots music and atmospheric, exploratory soundscapes.
By the early 1990s, he was an established working musician in Georgia and Alabama, performing bluegrass and Americana while simultaneously exploring ambient and progressive recording techniques.
Collaborations and Bands
San Francisco Blue The Jefferson Airplane Connection
In 2000, Fowler co-founded San Francisco Blue with Bob Harvey, the original bassist of Jefferson Airplane (1965). Their album Idiot’s Vision (recorded 2000, released 2001) fused Harvey’s folk-psych heritage with Fowler’s modern southern textures.
Fowler’s contributions as guitarist, mandolinist, and co-composer were significant, and this collaboration officially tied him to the Jefferson Airplane family tree.
He is mentioned by name in Craig Fenton’s 2006 book Take Me to a Circus Tent: The Jefferson Airplane Flight Manual, where Harvey credits him as his musical collaborator and later partner in SpaceSeed. This publication firmly documents Fowler as part of the Jefferson Airplane lineage that connects 1960s San Francisco folk-rock to 21st-century Southern space-rock.
SpaceSeed and Psychedelic Legacy
Fowler went on to play and record with SpaceSeed, the long-running space-rock collective associated with members of Hawkwind and Secret Saucer.
Working alongside Harvey, John Pack, and Steve Hayes, Fowler helped evolve the group’s sound into the 2010s, contributing to albums and live shows featuring various Hawkwind alumni.
His performances with SpaceSeed and its affiliated acts established Fowler as part of the Hawkwind / Jefferson Airplane crossover legacy, uniting British and American branches of the psychedelic underground.
Southern and Americana Projects
In Georgia and Alabama, Fowler became a central figure in the modern bluegrass and Americana circuits:
Bibb City Ramblers (20072023) A Columbus/Auburn-based Americana and bluegrass ensemble known for festival performances and acoustic gatherings.
Blackberry Possum (20162019) A high-energy “slam-grass band blending traditional Appalachian tunes with jam-band improvisation.
The Evergreen Family Band (2024present) Fowler’s current Americana collective performing across South Georgia and Americus (notably at Pretoria Fields and Wolf Creek).
The Jupiter 4 (20242025) A studio and live collaboration with Sloan Leavens, James Dunn, and John Pack, combining krautrock, space-psych, and Georgia roots instrumentation.
Fowler also leads solo instrumental and electronic work under the identity “Brian Fowler Kosmische Musik, released on SoundClick in 2025.
Visual & Conceptual Art
Parallel to his music, Fowler creates visual collage art, album covers, and poster designs rich in cosmic symbolism planets, mandolins, WW-era cosmonauts, and Appalachian mythic motifs. His artwork often centers on recurring symbols such as “No Binoculars Before the Maze, “Shock My Heart, and “Musicnaut.
These visual themes unify his music and storytelling, creating a personal mythology that connects his Georgia roots to the broader psychedelic tradition.
Film Work and Screen Roles
Fowler has also ventured into independent and cult cinema, appearing in two underground films directed and produced by Kreg Thornley:
Chaos God
Sun Monster
In these experimental productions, Fowler appears under the performance alias Superczar, blending surreal performance, dark humor, and psychedelic imagery. The films gained underground recognition for their avant-garde approach, combining mythic sci-fi and absurdist narrative with Southern Gothic energy themes that resonate strongly with Fowler’s music.
Themes and Legacy
Across every project from the bluegrass of Bibb City to the deep-space odysseys of SpaceSeed Fowler’s art expresses an American duality: earthbound storytelling and cosmic exploration.
He describes his work as “Americana meeting the infinite where a mandolin and a Moog can speak the same language.
As both musician and visual storyteller, he continues to champion regional creativity in Columbus and Americus while maintaining direct artistic ties to the enduring psychedelic lineage that began in San Francisco’s 1960s counterculture.
Selected Credits and Mentions
Take Me to a Circus Tent: The Jefferson Airplane Flight Manual (Craig Fenton, 2006) Mentioned by name in Bob Harvey interview
San Francisco Blue Idiot’s Vision (2001) Co-founder, mandolin, guitar, composer
SpaceSeed recordings (2000s2010s) Guitar, bass, composition
Chaos God (film, dir. Kreg Thornley) Actor/Performer (Superczar)
Sun Monster (film, dir. Kreg Thornley) Actor/Performer (Superczar)
The Jupiter 4 (2024present) Founding member
Kosmische Musik (2025) Solo sound project. Brian Fowler Complete Biography (Music & Film)
Brian Fowler is an American musician, composer, and performer based in Columbus, Georgia. A
multi-instrumentalist whose sound bridges Appalachian Americana, progressive bluegrass, and
psychedelic space-rock, Fowler’s creative career spans more than three decades. His distinctive
“cosmic Americana identity links the folk traditions of the American South with the experimental and
space-rock lineage of the San Francisco psychedelic era. Born March 2, 1967, Fowler began
performing and writing music in the Southeast during the 1980s while balancing college and military
service. His early exposure to Appalachian folk and electric psychedelia shaped the hybrid style he
would later call “Musicnaut a blend of mandolin-driven roots music and atmospheric, exploratory
soundscapes. By the early 1990s, he was an established working musician in Georgia and Alabama,
performing bluegrass and Americana while simultaneously exploring ambient and progressive
recording techniques. In 2000, Fowler co-founded San Francisco Blue with Bob Harvey, the original
bassist of Jefferson Airplane (1965). Their album Idiot’s Vision (recorded 2000, released 2001) fused
Harvey’s folk-psych heritage with Fowler’s modern southern textures. Fowler’s contributions as
guitarist, mandolinist, and co-composer were significant, and this collaboration officially tied him to the
Jefferson Airplane family tree. He is mentioned by name in Craig Fenton’s 2006 book Take Me to a
Circus Tent: The Jefferson Airplane Flight Manual, where Harvey credits him as collaborator on the
post-Airplane project San Francisco Blue (album Idiot’s Vision) and later partner in the psychedelic
collective SpaceSeed. This publication formally places Fowler within the recognized Jefferson Airplane
lineage, bridging the band’s 1965 San Francisco folk-rock origins with Fowler’s modern Georgia-based
“cosmic Americana and space-rock explorations. Fowler also appears in Holding Together, the
long-running Jefferson Airplane / Jefferson Starship fanzine published in Edinburgh, Scotland. The
magazine profiles his collaborations with Bob Harvey and his work in San Francisco Blue and
SpaceSeed, further establishing him within the extended Jefferson Airplane historical record
recognized by international collectors. Beyond his Airplane connections, Fowler’s broader musical path
includes roles in The Bibb City Ramblers, Blackberry Possum, The Evergreen Family Band, and The
Jupiter 4 groups that span Americana, jamgrass, and progressive psychedelia. As a solo artist, he
records under the name “Brian Fowler Kosmische Musik.Have you performed in front of an audience?Brian Fowler Musician, Composer, Performer
Brian Fowler is a Columbus, Georgia based musician, mandolinist, guitarist, bassist, and composer
known for blending Americana, bluegrass, and psychedelic space-rock. He co-founded and performed
with numerous regional and national projects, including San Francisco Blue (with Jefferson Airplane
founding bassist Bob Harvey), the Bibb City Ramblers, Blackberry Possum, the Evergreen Family
Band, Spaceseed, and The Jupiter 4. Fowler’s long creative link to Bob Harvey connects him directly to
the documented Jefferson Airplane family tree. He is mentioned by name in Craig Fenton’s 2006 book
Take Me to a Circus Tent: The Jefferson Airplane Flight Manual, in which Harvey credits him as a
collaborator on the post-Airplane project San Francisco Blue (album Idiot’s Vision) and cites their later
partnership in the psychedelic collective SpaceSeed. This publication formally places Fowler within the
recognized Jefferson Airplane lineage, bridging the band’s 1965 San Francisco folk-rock origins with
Fowler’s modern Georgia-based “cosmic Americana and space-rock explorations. Beyond music,
Brian Fowler also appears in independent film projects, including Chaos God and Sun Monster
(produced by Kreg Thornley), where he is credited under the performance alias Superczar. These cult
and experimental features extend Fowler’s creative reach beyond music into surreal and psychedelic
cinema, complementing his broader body of work across the Americana and space-rock genres. Fowler
continues to produce and perform actively throughout the Chattahoochee Valley, uniting his deep
musical heritage with new experimental compositions, cosmic visuals, and collaborations that honor the
rich lineage of psychedelic and Southern music.
Brian Fowler Comprehensive Biography (Music & Film)
Overview
Brian Fowler is an American musician, composer, and performer based in Columbus, Georgia. A multi-instrumentalist whose sound bridges Appalachian Americana, progressive bluegrass, and psychedelic space-rock, Fowler’s creative career spans more than three decades. His distinctive “cosmic Americana identity links the folk traditions of the American South with the experimental and space-rock lineage of the San Francisco psychedelic era.
Early Career and Musical Foundations
Born March 2, 1967, Fowler began performing and writing music in the Southeast during the 1980s while balancing college and military service. His early exposure to both Appalachian folk and electric psychedelia shaped the hybrid style he would later call “Musicnaut a blend of mandolin-driven roots music and atmospheric, exploratory soundscapes.
By the early 1990s, he was an established working musician in Georgia and Alabama, performing bluegrass and Americana while simultaneously exploring ambient and progressive recording techniques.
Collaborations and Bands
San Francisco Blue The Jefferson Airplane Connection
In 2000, Fowler co-founded San Francisco Blue with Bob Harvey, the original bassist of Jefferson Airplane (1965). Their album Idiot’s Vision (recorded 2000, released 2001) fused Harvey’s folk-psych heritage with Fowler’s modern southern textures.
Fowler’s contributions as guitarist, mandolinist, and co-composer were significant, and this collaboration officially tied him to the Jefferson Airplane family tree.
He is mentioned by name in Craig Fenton’s 2006 book Take Me to a Circus Tent: The Jefferson Airplane Flight Manual, where Harvey credits him as his musical collaborator and later partner in SpaceSeed. This publication firmly documents Fowler as part of the Jefferson Airplane lineage that connects 1960s San Francisco folk-rock to 21st-century Southern space-rock.
SpaceSeed and Psychedelic Legacy
Fowler went on to play and record with SpaceSeed, the long-running space-rock collective associated with members of Hawkwind and Secret Saucer.
Working alongside Harvey, John Pack, and Steve Hayes, Fowler helped evolve the group’s sound into the 2010s, contributing to albums and live shows featuring various Hawkwind alumni.
His performances with SpaceSeed and its affiliated acts established Fowler as part of the Hawkwind / Jefferson Airplane crossover legacy, uniting British and American branches of the psychedelic underground.
Southern and Americana Projects
In Georgia and Alabama, Fowler became a central figure in the modern bluegrass and Americana circuits:
Bibb City Ramblers (20072023) A Columbus/Auburn-based Americana and bluegrass ensemble known for festival performances and acoustic gatherings.
Blackberry Possum (20162019) A high-energy “slam-grass band blending traditional Appalachian tunes with jam-band improvisation.
The Evergreen Family Band (2024present) Fowler’s current Americana collective performing across South Georgia and Americus (notably at Pretoria Fields and Wolf Creek).
The Jupiter 4 (20242025) A studio and live collaboration with Sloan Leavens, James Dunn, and John Pack, c
Your musical influences
Hawkwind, Amon Duul 2, Steve Hillage,PFM,Faust,West Coast Pop Art Experimental Band, Nektar,Focus,Sabbath,BOC, Brainticket,Far Flung,Gong, Birth Control,Embryo, Astral MagicWhat equipment do you use?
Zoom R24-Gibson SG Special w/ Lollar Imperial Pick Ups-Hi-Watt Therimen
Steinberger bass,Fender TelecasterAnything else?
Labyrinths of sound, galaxies of imagination.
Brian Fowler Complete Biography (Music & Film)
Brian Fowler is an American musician, composer, and performer based in Columbus, Georgia. A
multi-instrumentalist whose sound bridges Appalachian Americana, progressive bluegrass, and
psychedelic space-rock, Fowler’s creative career spans more than three decades. His distinctive
“cosmic Americana identity links the folk traditions of the American South with the experimental and
space-rock lineage of the San Francisco psychedelic era. Born March 2, 1967, Fowler began
performing and writing music in the Southeast during the 1980s while balancing college and military
service. His early exposure to Appalachian folk and electric psychedelia shaped the hybrid style he
would later call “Musicnaut a blend of mandolin-driven roots music and atmospheric, exploratory
soundscapes. By the early 1990s, he was an established working musician in Georgia and Alabama,
performing bluegrass and Americana while simultaneously exploring ambient and progressive
recording techniques. In 2000, Fowler co-founded San Francisco Blue with Bob Harvey, the original
bassist of Jefferson Airplane (1965). Their album Idiot’s Vision (recorded 2000, released 2001) fused
Harvey’s folk-psych heritage with Fowler’s modern southern textures. Fowler’s contributions as
guitarist, mandolinist, and co-composer were significant, and this collaboration officially tied him to the
Jefferson Airplane family tree. He is mentioned by name in Craig Fenton’s 2006 book Take Me to a
Circus Tent: The Jefferson Airplane Flight Manual, where Harvey credits him as collaborator on the
post-Airplane project San Francisco Blue (album Idiot’s Vision) and later partner in the psychedelic
collective SpaceSeed. This publication formally places Fowler within the recognized Jefferson Airplane
lineage, bridging the band’s 1965 San Francisco folk-rock origins with Fowler’s modern Georgia-based
“cosmic Americana and space-rock explorations. Fowler also appears in Holding Together, the
long-running Jefferson Airplane / Jefferson Starship fanzine published in Edinburgh, Scotland. The
magazine profiles his collaborations with Bob Harvey and his work in San Francisco Blue and
SpaceSeed, further establishing him within the extended Jefferson Airplane historical record
recognized by international collectors. Beyond his Airplane connections, Fowler’s broader musical path
includes roles in The Bibb City Ramblers, Blackberry Possum, The Evergreen Family Band, and The
Jupiter 4 groups that span Americana, jamgrass, and progressive psychedelia. As a solo artist, he
records under the name “Brian Fowler Kosmische Musik, releasing electronic and cosmic
soundscapes that blend krautrock with Appalachian tonality. Fowler’s visual and conceptual art
parallels his music. His artwork rich with cosmic, spiritual, and Appalachian motifs appears on his
albums, posters, and multimedia projects such as No Binoculars Before the Maze, Shock My Heart,
and The Musicnaut. These works form an interconnected mythology uniting his Georgia roots with the
expansive world of psychedelic art. Fowler has also appeared in film. Under his performance alias
Superczar, he stars in the cult experimental feature Chaos God and the Sun Monster (directed and
produced by Kreg Thornley). The film combines cosmic horror, surreal humor, and psychedelic
performance art, extending Fowler’s creativity into avant-garde cinema and visual storytelling. Across
his career, Fowler’s art expresses the duality of American roots and cosmic exploration mandolin
and Moog, earth and ether. His collaborations link him directly to the legacy of Jefferson Airplane,
SpaceSeed, and the modern psychedelic underground, while his Southern voice grounds that legacy in
Americana tradition. He continues to produce, perform, and design art throughout the Chattahoochee
Valley, merging music, film, and cosmic storytelling into one evolving artistic continuum.
Download the Collection:
Hydroxychloroqueen 5:52
Plague Doctors 5:26
Pipes of Pandemic 3:31
Thru The Plastic 4:53
Patient X 4:39
The Key of God 7:01
Future Man 6:25
Psy-Op (In Full Swing) 3:48
Clone Me 4:25
Glass Lung 4:00
Circle Driver 7:00
Oceanic Lung 4:19
The Journey to Pygmy Island 6:33
Pygmy Island 8:41
Return from Pygmy Island 8:59
Mushroom Planet X 7:05
Fuzzy Spacefruit 7:27
Project Fear (Original Version) 8:00
Pulse of the Futureman 5:49
Fib 5:17
Visions 8:48
Tongue 9:35
Propofol Dreams 8:06
Shock My Heart 8:08
Abduction Number 8 4:52
SR9 Antidote Residual 4:21
Ebb and Flow 5:42
Outer Layer 6:11
SR49 4:21
Frantic Bubble 3:09
Failure to Launch 7:31
Water Down the Drain 5:55
Atlanta, Georgia
USA
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1463391
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Free to Download….
Brian Fowler – Complete Biography (Music & Film)
Brian Fowler is an American musician, composer, and performer based in Columbus, Georgia. A
multi-instrumentalist whose sound bridges Appalachian Americana, progressive bluegrass, and
psychedelic space-rock, Fowler’s creative career spans more than three decades. His distinctive
“cosmic Americana” identity links the folk traditions of the American South with the experimental and
space-rock lineage of the San Francisco psychedelic era. Born March 2, 1967, Fowler began
performing and writing music in the Southeast during the 1980s while balancing college and military
service. His early exposure to Appalachian folk and electric psychedelia shaped the hybrid style he
would later call “Musicnaut” — a blend of mandolin-driven roots music and atmospheric, exploratory
soundscapes. By the early 1990s, he was an established working musician in Georgia and Alabama,
performing bluegrass and Americana while simultaneously exploring ambient
Thank you
That’s a trippy tune. Grows on you after a few listens
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