Skunky Funk
Rock Cainta, Philippines
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Thank you!
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Updated.
Produced by Dodjie Garcia
See all 16 songs in more detail
Songs
Peak in sub-genre #58
GUITAR: Clean and Fuzz - G&L ASAT Tribute, High Gain Ibanez RG 7-string AMPS: Clean and Fuzz - Fender SF Bassman 135, High Gain - Randall MTS RM100 Head with UltraXL module CAB: Randall MTS 4x12 with Celestion Seventy-80s
Peak in sub-genre #87
GUITAR: Clean and Fuzz - G&L ASAT Tribute, High Gain Ibanez RG 7-string AMPS: Clean and Fuzz - Fender SF Bassman 135, High Gain - Randall MTS RM100 Head with UltraXL module CAB: Randall MTS 4x12 with Celestion Seventy-80s
Peak in sub-genre #91
GUITAR: Clean and Fuzz - G&L ASAT Tribute, High Gain Ibanez RG 7-string AMPS: Clean and Fuzz - Fender SF Bassman 135, High Gain - Randall MTS RM100 Head with UltraXL module CAB: Randall MTS 4x12 with Celestion Seventy-80s
Peak position #85
GUITAR: Clean and Fuzz - G&L ASAT Tribute, High Gain Ibanez RG 7-string AMPS: Clean and Fuzz - Fender SF Bassman 135, High Gain - Randall MTS RM100 Head with UltraXL module CAB: Randall MTS 4x12 with Celestion Seventy-80s
Peak in sub-genre #33
Gibson SG 61 with Gibson Classic Plus bridge pickup + Randall RM100 half-stack with Celestion 70-80s, and Ibanez DE7 delay for the lead guitar demo
Bohemian Rhapsody Solo. Originally performed by Queen with the master, Brian May on guitar.
Peak in sub-genre #36
Here's the same SX Strat with stock parts. I played this SRV knockoff during some recording session break. Amp was a Mesa Studio 22. I wish it had newer strings for more twang...
Peak in sub-genre #90
This is a shootout between a Bogner Ecstasy 101B and a Diezel Herbert. Courtesy of Big Hair of Harmony-Central.
Peak in sub-genre #28
Special thanks to Alex Gomez who owns this great but damn expensive head...
Here is a rough sound sample of a beloved 1964 Pre-CBS Fender Jazzmaster that I had. The different layers represent different switch positions, including the volume boost. Recorded with mega Spring Reverb on a Mesa Boogie DC-2.
Demonstrating the V848 in ON and OFF modes with a Drivemaster...
Demonstrating the V848 in ON and OFF modes in CLEAN TONE
Another sample of the V848 using a Gibsn SG in the Bridge Position setting, with enough distortion to call it HIGH GAIN.
Playing a Vox V848 Clyde McCoy Reissue using a Gibson SG '61 with the Classic '57 neck pickup on.
Peak in sub-genre #30
Just noodling with the fretboard on one bedroom practice session. Sorry for the self-indulgence...
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