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marc fedak

 
marc fedak

lo fi garage rock, folk, and other

125 top 50
584 songs
15.8K plays
1
Picture for song 'imaginary theme from shaftsbury five' by artist 'marc fedak'

imaginary theme from shaftsbury five

3
Picture for song 'hurtling to madness?  (chu chu-chu ha!)' by artist 'marc fedak'

hurtling to madness? (chu chu-chu ha!)

4
Picture for song 'guitar prelude to who knows what' by artist 'marc fedak'

guitar prelude to who knows what

Basic
$25
MP3
No audio tag
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
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WAV file
Trackout/stems
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Must credit producer
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License duration
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Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
The songs on this site that I recorded last year were done on a rented Tascam 2400 digital recorder. The more recent songs from this year were recorded on a Mac using the Garageband program that usually comes with a Mac. Yes, they are lo-fi and there are sometimes synching issues (because of either my limited musicianship or because I was using the computer keyboard to play simulated drums instead of a MIDI keyboard or real drum kit), but in most cases they are close to how I envisioned the songs. It's quite fun playing a guitar or bass part on acoustic guitar and then adding the Garageband distortion, "Grunge" guitar amp simulator and/or Vocal Transformer effects to make it sound like an electric guitar or bass.
Band/artist history
Born Mar. 19, 1963 in Windsor Ontario. I now reside in East York/Toronto. I occasionally play gigs in the Toronto area with my garage rock/alt folk band Spacecraft 7. From around 2001 to 2007, I also played in a country band called the Wanted, and from 2005 - 2008, I played in an alt pop band called Yolassi.
Have you performed in front of an audience?
I used to to play on my own a few years ago, but not anymore, partly because I'm not really an extrovert. Now I occasionally play in a Toronto garage rock/alt folk band Spacecraft 7. From around 2001 to 2007, I also played in a country band called the Wanted, and from 2005 - 2008, I played rhythm mandolin in an alt pop band called Yolassi. Special moments: most Spacecraft 7 shows, a Yolassi gig which was attended by some children who actually thanked us after the gig; Port Perry fair and Hart House gigs with the Wanted; gigs with Groundwater, Rump Rangers, Screaming Daisies, and the Prehistoric Cavestrokers (excluding our very first gig at the U of Windsor, three days after we formed, where we got gonged not once, but twice -- on my birthday no less!).
Your musical influences
60s (hendrix, cream, yardbirds, pink floyd, who, nice, iggy and the stooges, moody blues, crazy world of arthur brown), brian eno, robert fripp/king crimson, elo/the move, sonic youth, buzzcocks, dead kennedies, world music, contemporary classical, free jazz, etc. etc.
What equipment do you use?
Tascam 2400 digital recorder (last year) or Macbook/Garageband (this year), Shure SM57 mike, Tascam US 144 interface, Yamaha classical guitar, with pickup (or my Harmony Gibson copy electric guitar and Cort bass) and sundry implements and found objects.
Anything else?
Some of these songs are likely to be picked up by Spacecraft 7 and rocked up a fair bit. I'd also be open to other musicians recording them (as long as they get a mechanical license from me and credit me as the songwriter).
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Comments (4)

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