
Aural Psynapse
I'm not capable of making any good graphics, or anything of the sort, so I just stick to the music. Any form of electronica goes here. Maybe a little metal guit
7
songs
135
plays


Waves of Sand Waves of Sand
So many different styles of music. I'll just leave it to dance. It's...psy/goa/jungle/new-age/rock/electronica.

Oxy-Idiot Oxy-Idiot
Well, it's mostly ambient. A few goa sounds in there, a breakdown/build-up with a piano. It helps you drift into a delirious state of mind.

Deeper Sleep Deeper Sleep
Ambient trip hop with reggae/new-age influences. Live bass, new 48/4 time signature.

If At First If At First
This was really hard to make, hence, the name "If At First." Melodic trance straight from the underground.
Show all (7)
Best introduction I could think of:
What to expect.
-1.Ambient
-2.Trance
-3.Drum'n'Bass
-4.Maybe some metal guitars.
-5.Variation within the electronica genre.
-6.An attempt to make a new sound.
All of my music is free to distribute, but if you remix it, you hafta share it. Read the licenses.
Band/artist history
There's no history, really. I started messing around with a guitar I bought in Florida, then with a FruityLoops demo when I was 11, and boom, here I am.
Have you performed in front of an audience?
I play guitar for all of my friends, they seem to be impressed. There's no limit to my madness. I play metal, acoustic, sometimes I use it in my ambient stuff.
Your musical influences
Oh, man...Moby, Toby Emerson, Infected Mushroom, Celldweller, Zao, and yes, expect a lot of variation from me.
What equipment do you use?
Right now, I'm using FruityLoops v4 Full right now. That's bound to change since I'm trying to learn the cinch of all the other things out there like Orion and Reazon. I use guitars(Epiphone Les Paul), live drums(Sabian crashes, Pearl, some cheap-o stuff that still sounds great), (except kicks, I use Fruit Kick for that.) and beatboxing techniques.
Anything else?
I can't think of much else.
Contact
Sorry, this artist currently doesn't accept email messages.
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