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Paolo Pavan
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Paolo Pavan
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6 Top 100
75 Tracks
Paolo Pavan born in Rome in 1970.He has been studying music since he was very young , soon was dazzled by jazz music and he had teachers like Stefano Sabatini
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Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
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A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
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To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
Name price
8 songs
Name price
7 songs
$8.00
10 songs
$8.00
16 songs
Looking For A Way Out
Davide Marinacci (Nato a Roma12 nel 1966), inizia lo studio del sax a 17 anni con il Maestro Baldo Maestri al conservatorio "Licinio Refice" di Frosinone.Dopo il conservatorio, prosegue la sua ricerca con i maestri A. Santoloci e E. Colombo e, in seguito con il Maestro Francesco Santucci. Ha attivamente collaborato, sia come musicista che come arrangiatore, con numerosissime orchestre Jazz della capitale tra le quali quella di Gianni Oddi e con musicisti come Javier Girotto, Gianni Savelli e Rosario Giuliani. Francesco Merenda Nasce a Mesagne il 16 Aprile 1987 e comincia gli studi musicali a 6 anni con il clarinetto. Ben presto abbandonerà q uesto strumento per gli studi batteristici che cominciano con Fredy Malfi a Brindisi. Successivamente proseguono presso il conservatorio N.Rota di Monopoli nella classe di Strumenti a Percussione del maestro Filippo Lattanzi (diplomandosi i16n teoria e solfeggio con il massimo dei voti) e privatamente con Mimmo Campanale. Intanto matura numerose esperienze sia in campo classico che moderno, collaborando con l'orchestra del conservatorio e in varie big band. Dopo aver conseguito il diploma della "Percentomusica" di Roma studiando con D.Pettirossi S.Corazza L. Tucci, F.Sferra, C.Micalizzi e Massimo Carrano, frequenta il laboratorio di alto perfezionamento Jazz con Ramberto Ciammarughi. In seguito frequenta numerosi Seminari e MasterClass: Peter Erskine, Gene Jackson, Jack Dejhonette, Dave Weckl, Virgil Donati, Marco Minneman, Dennis Chambers, Jojo Mayer, Gregg Bissonette Giacomo Castellano, Giovanni Tommaso, John Taylor, Pat Martino, Miroslav Vithous, Adam Rogers etc. Successivamente collabora con : Amalia Grè, Tony Esposito, Rossana Casale, Dan Moretti, Luca Nostro, Lily Lathueru, Alex Massari, Sade Mangiaracina, Renzo Di Mola, Giacomo Caliolo,Saverio Lucarelli & Double Shuffle Band,Andy Pietropaolo,Gianluca Figliola, Nico Albanese, Roberto De Leonardis, Primiano Di Biase, Fabrizio Guarino e Ettore Papadia. Tra le sue collaborazioni nel campo teatrale, spicca il nome del coreografo Cesare Vangeli in occasione del Tip Tap Show 15Edizione (Teatro Sistina). E' stato premiato in occasione delle giornate europee dell'arte 08' per alto contributo artistico e culturale dal comune di Carovigno (BR). Si è esibito in numerosi Jazz Club e rispettivi Festivals della Capitale tra cui Alexander Platz, Villa Celimontana, Casa del Jazz, Be Bop. Nel 2007 vince la borsa di studio del corso Rock's Cool al Saint Louis Music Center di Roma e frequenta il corso Jazz's Cool dove si perfeziona con Gene Jackson, G.Mazzarino, G.Renzi, A.Mazzoletti. Nel 2008 frequenta le Summer Clinic di Umbria Jazz seguito da Ron Savage, Russel Hoffman, Oscar Stagnaro. Nel luglio 2010 registra la batteria per il singolo "Wake Up and Dream" per Rossana Casale nel Musical "Svegliati e Sogna". Attualmente si perfeziona in latin-jazz con Israel Varela per il quale ricopre il ruolo di sostituto in diversi progetti e lavora intensamente con diverse formazioni Jazz, Fusion e Pop-Funk .
Band/artist history
The quartet was founded in 2000 by Paolo Pavan in collaboration with saxophonist and friend David Marinacci. After the first period of preparation and study led to the first quartet that reworks the classic quartets historians such as John Coltrane and Thelonious Monk. Then comes the idea for the CD of original music. Hence the first cd "Inside" followed by "Looking For A Way Out" and the last "The Swing Of Things" released this year which is enjoying already the clamor of the international public (defined by Jamendo one of the best groups of the south of Europe). On its way the quartet meets the major clubs of Italy: Alexander Platz, Bebop, Charity, Caffè letterario, Alpheus, Classico live jazz, Il locale, Beba do Samba. Locanda blues, Domus talenti. Clarò, Lettere e caffè, Misissipi Jazz club, Music Inn, Saint Louis Jazz club, Palladium, Stazione Birra, Geronimo. The quartet participates in several festivals. among the most important are Isola Liri jazz festival, Festival Appio Claudio, Eddie lang jazz festival, Tim international festival, Festival jazz Celano, Fabbricando festival, Festival Telecom Italia, Festival di Villa Celimontana, Avezzano Jazz, Fano Jazz, Festival Puccini, Festival Jazz Teramo, Ravello Jazz, Reggio Calabria Jazz, Festival, Umbria Jazz, Siena Jazz Festival, Cannes Jazz Festival, JazzIt Festival. In addition to plays in several prestigious places likes Teatro comunale latina, Palazzo Venezia, Teatro faranume.
Have you performed in front of an audience?
yes, i play in a lot of jazzclubs in italy.
Your musical influences
my musical influences are classical music, a variety of jazz style. My pianist references are Kenny Kirkland, Mccoy Tyner, Herbie Hancock
What equipment do you use?
recording studio homebuilt
Anything else?
Stay tuned, new projects are coming out
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