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LUCKY JACKSON
1 Top 100
96 Tracks
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1
Cracks in the wall
Today #58 in Garage Rock subgenre
$0.75
$4.00
$25
2
SA Wanderer
Peak in sub-genre #17
$0.75
$4.00
$25
3
Hellfire
$0.75
$4.00
$25
4
Song Of Sarah Berhardt
$0.75
$4.00
$25
5
That's How You Make me Feel [1]
Peak in sub-genre #13
$0.75
$4.00
6
Stick It To The Man
Peak in sub-genre #16
$0.75
$10.00
$25
7
Jesus Freak!
Peak in sub-genre #16
$0.75
$10.00
$25
8
A special K valentine
$0.75
$10.00
$25
9
Helpless
$0.75
$10.00
$25
10
It's Been A While
$0.75
$10.00
$25
11
Too Lazy To Crow
$0.75
$10.00
$25
12
Crackdown
$0.75
$10.00
$25
13
Let's Stay Strong
$0.75
$10.00
$25
14
On The B Side
$0.75
$10.00
$25
15
The best of me
$0.75
$10.00
$25
16
Dark Road
Peak in sub-genre #15
$0.75
$10.00
$25
17
02-Hello Reaper
Peak in sub-genre #12
18
09-Morning Rain
Peak in sub-genre #14
19
08-Bring Back The Guillotine
Peak in sub-genre #14
20
07-Dylan's Choice
License pricing
Basic
$25
MP3
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
Unlimited sales
Unlimited sales
Exclusive rights
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
Edge of a dream - LUCKY JACKSON
I believe that indie artists are the most creative and unique people there are. They take the most risks and there successes are the most fondly remembered.
Band/artist history
Lucky Jackson was born in Adelaide South Australia on May 4 1961. With an all encompassing passion for music inspired by such artists as Elvis Presley, The Beatles, The Monkees, The Osmonds, Bob Dylan, Paul Simon, The Rolling stones, Roy Orbison, The Everly brothers and a plethora of other artists of the 50’s and 60’s Lucky Jackson decided on his life’s goal. After his first informal guitar lesson at the age of 21 he wrote his first song and his road was paved. After years of writing and recording demo’s of various quality including in 1987 the songs ‘CRIME OF PASSION’ and ‘THE REAL’, both of which were the first recordings played on radio the following day at 3D community radio station (then called TRIPLE M), he proceeded to recorded his first album entitled ‘TANGERING SKY’ (1998). This was an expensive disaster for which he hastily released (or salvaged) an EP for which did nothing although it did get some airplay. After this disaster he had the bright idea of putting together his own home studio in order to have more control over the sound of his work. Teaming up with a couple of local musician’s, guitarist Graham Whan and bassist Steve McGiver he developed a sound much more to his liking. During this fruitful and prolific period he was tasked to writing a song a week. From this two albums followed. ‘LONELY ROAD AHEAD’ (2005) and ‘SUBLIMINAL POET’ (2007). Obviously, these were demo quality albums. Although full of flaws, they served the purpose of learning his songwriting craft and the equipment for the recording process. After Lucky Jackson moved house to the outer Adelaide suburb of Elizabeth Graham and Steve soon decided it was too far to travel for recording and only 2 or 3 tracks were recorded there before they parted ways. Once again on his own, writing songs was a sporadic activity. Uninspired during this period, in 2012 his niece Katie died in her sleep and the inspiration came back and he wrote the song ‘NEVER SAID GOODBYE’. Deciding to record this tribute professionally he went to the Adelaide recording studio run by Darren Mullen and was so impressed by the finished product, it was the beginning of the long awaited album ‘GOLDEN LUGGAGE’ (2014) considered by many to be his best work to date. Although not as prolific as the home studio period, the songs still came and he began work on this last project ‘THE ALAN SMITHEE PROJECT’ (2018). ‘THE ALAN SMITHEE PROJECT’ consists of songs ranging from rock’n’roll,, country, swing, social commentary about war, violence in society and depression and suicide. It includes his first ever originally composed Christmas song ‘ANOTHER EVERYDAY CHRISTMAS’ and as a bonus the firstly released demo of ‘CRIME OF PASSION’ and a hidden bonus track not listed called ‘TEEPEE’. Always in the search of his next project he is already working on material for his next album to be called ‘HOW DO YOU SPELL ID?’ No matter what one might say about his talent as a songwriter or singer. One thing is for sure, each project is better than the one before and one should always wait with anticipation for that pending work. As he has always said, “one day I’ll make my own Dark side of the moon, then I can die satisfied that people will remember me.”
Have you performed in front of an audience?
I'm not a big fan of performing live, so I don't do it much at the moment. I don'ty even have a regular band I play with, but it is in the pipeline at some point. No matter how much you like writing and recording, performing live has to happen at some time.
Your musical influences
Elvis, The Beatles, The Monkees, John Lennon, all music from the 50's and 60's, Mozart.
What equipment do you use?
I love my Pink Paisley Fender Telecaster and record at the moment using Cakewalk Sonar 4 (I need to upgrade).
Anything else?
Good muso's and attractive women!!!!
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