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mfaith2

World & Modern rhythms, distinctive and expressive vocals, indie rock to Afro-Caribbean, Soundtrack, Electronica and Classic Country

1 top 1
5 top 50
32 songs
3.6K plays
2
Picture for song 'Empty Arms' by artist 'mfaith2'

Empty Arms

A break-up song in the Classic Country 50's style of Kitty Wells and Patsy Kline, complete with Slide Guitar, Upright Bass & Piano over a backbeat shuffle at 110 bpm. One stop Madeline Preisner, mfaith2@verycoolstuff.com
3
Picture for song 'Suddenly Light' by artist 'mfaith2'

Suddenly Light

meditation, being in the light, becoming the light, trance type electronica
5
Picture for song 'Wonder' by artist 'mfaith2'

Wonder

electronic soundtrack sci fi and gaming. 120 bpm Madeline Preisner 2013 mfaith2@verycoolstuff.com
Basic
$25
MP3
No audio tag
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
I am a songwriter. Whenever I am strongly moved I get a song. They come lyric and melody, a verse or chorus with imagined instrumentation I can never quite reproduce. I used to bring my songs to the band, start singing with my clumsy guitar or keyboard playing outlines and the band would fill in the colors, bringing the song to life. These days I am crafting my songs myself, using the amazing assortment of audio interfaces and plug-ins to create intriguing stories in sound. Imagining the tracks supporting the mood or emotion of a scene or creating the excitement to support action in a game.
Band/artist history
My newer Songs and Electronica instumentals are created as mood, emotion and action soundscapes for licensing and sync opportunities. Learning Music Production as I go, the songs at the top of the list are "Broadcast Quality" some below are still a work in progress. The 16 live songs from "Live at Joseph Court" were recorded on a Yamaha AW16G digital recorder, one or two room mics in our small rehearsal space during our Thursday night rehearsals ( jams), and edited and EQ'd with a few overdubs added in Pro Tools. There are Protest Songs, Rock, Reggae, Afro-pop, Ballads and ...a Waltz
Have you performed in front of an audience?
I sang & played percussion in several bands performing mostly original music, from the punk modern Tectonics, the reggae Harbour Rats and the afro-caribbean Poco Loco. Clubs, Halls, Festivals, Weddings and lots of fun events the music was always all about moving people literally & figuratively, getting them moving, dancing & sometimes singing along. Rhythm is key & so is Melody!
Your musical influences
Growing up "our Band" was the Young Rascals. Their diverse melodies and lyrics, complete with Social commentary, were a big influence on my songwriting. African, Latin and World rhythms,...I have always loved a strong rhythm supporting a moving melody, Santana, David Lindley, Brian Eno, Roxy Music, The Neville Brothers, Carlyto, The Malo Poets, Oliver Mtukudzi, Cesaria Evora. Inspiration for my Ballads ...Laura Nyro, Patti Scialfa, Traci Nelson. I love current artists Chris Stapleton, Lewis Capaldi, Khalid, Billie Eilish, Kane Brown, Brandi Carlile, Miley Cyrus, Lauren Jauregui and so many amazing vocalists like Sia, Ariana Grande, Kelly Clarkson, Loreen, Beth Hart + many more
What equipment do you use?
I am currently using an Alesis Micron analog modeling synth, Roland SPD11 percussion pad, Apogee Quartet, RodeNT 2000 mic and ProTools. The live songs were recorded on a Yamaha AW16G, using one or two microphones in our small rehearsal space to capture the room. EQ and editing and a few overdubs done with an Mbox and Pro Tools.
Anything else?
I would love to hear from anyone interested in collaborating, producing, performing or using any of these songs for any purpose.
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