celadon

Gothic-Industrial songs crafted from found sounds and intricate rhythms, often contrasted with haunting female vocals. Richly textured organic soundscapes which

11 songs
1.9K plays
Picture for song 'The Second Circle' by artist 'celadon'

The Second Circle

vocals by vox vespertinus (angelic) and Thea Maia (demonic)

Industrial

Picture for song 'Earth Abides' by artist 'celadon'

Earth Abides

Life will still go on when we are gone.

Industrial

Picture for song 'Nothing to Say' by artist 'celadon'

Nothing to Say

An early piece, with CB radio, drainpipes, and digital noise.

Industrial

Picture for song 'Good Ole Boy' by artist 'celadon'

Good Ole Boy

draft noise piece with CB samples, feedback, ambient recordings. let me know what you think!

Noise

Picture for song 'Whisper in my Ear' by artist 'celadon'

Whisper in my Ear

My contribution for home works nr 5

Noise

my new cd, "," includes 9 tracks of lush, textural electronic music, including "Dark Decorum: The Gothic Charm School Theme Song." It also features vocals by Sataray and Vanessa Skantze. Bitter Sweet builds on the highlights of my earlier releases, with intricate rhythms and layers of dark sonic imagery, contrasted with orchestral samples and haunting female vocals. The songs range from the Gothic dance track "Dark Decorum" to the heavy, ominous industrial beats of "Fuligin" to the sensuous trip-hop stylings of "Wisteria" and "Passageway." It is now available on my Web site or . is an industrial-ambient musical project from Seattle, WA. My goal is to share the beauty I experience with others. To this end, I record some of the more interesting bits of the world, bend them into curious shapes, and offer them back to the world like messages in a bottle. Check out my Web site at My debut CD, , is also or download the songs here.
Your musical influences
I love old-school industrial music - Einsturzende Neubauten, Severed Heads, Coil - and other experimental artists like Randy Grief, Strafe F.R., Asmus Tietchens.
Anything else?
I reject the notion that industrial music must be hateful, ugly, aggressive, and synthetic. I explore the darker and more unusual corners of our sonic landscape and return with richly textured, intimate organic constructions.
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