jennyblue
part Enya - part Joni Mitchell, all jennyblue
The city -- its past, its present, its future.
Independent artist jennyblue drops "New Orleans (Short Version)", an Acoustic Piano track on SoundClick. It provides textures that deepen the overall emotional resonance. This track holds its own in the acoustic piano landscape — a confident, well-executed piece. "New Orleans (Short Version)" has peaked at number 10 on the SoundClick Acoustic Piano chart. Producers and creators can get a royalty-free Creative Commons license for "New Orleans (Short Version)" — the standardized, legally-sound way to grant permissions.
is a free form, stream of consciousness poem set to music.
SoundClick artist jennyblue presents "Gypsy King", an outstanding release in the Acoustic genre. It is the kind of track that finds the right moment to make itself heard. The kind of acoustic track that draws you in and holds your attention through to the end Need a beat for your next project? "Gypsy King" is available with a royalty-free Creative Commons license on SoundClick.
Truth is stranger than fiction ...
"Tightrope Walker" by jennyblue is an Acoustic production available on SoundClick. Every element serves the song, creating a cohesive listening experience from start to finish. There is a quiet confidence to this track — the mark of an artist who understands the acoustic sound. It has charted at #22 on the SoundClick Acoustic General chart. The track is available royalty-free with a Creative Commons license, the standardized, legally-sound way to grant permissions.
... earth gonna rock'n'roll ...
Independent artist jennyblue drops "High Tide A'Risin'", a World track on SoundClick. It is the kind of track that finds the right moment to make itself heard. This track does what good world does best — it connects. "High Tide A'Risin'" has peaked at #20 in the World General category on SoundClick. "High Tide A'Risin'" can be used royalty-free with a Creative Commons license, making it freely accessible for sync, content, and creative projects.
... that's what you are to me.
Independent artist jennyblue drops "Poetry In Motion", an Acoustic track on SoundClick. Every element serves the song, creating a cohesive listening experience from start to finish. This track does what good acoustic does best — it connects. "Poetry In Motion" can be used royalty-free with a Creative Commons license, making it freely accessible for sync, content, and creative projects.
standing ovation at a Gerde's Folk City Open Stage back in the mid-70s.
Early Influences
My first record/favorite song was "The Ballad of Davy Crockett" when I was about 3 or 4. My grandpa bought me three of them. I guess I broke the first two. I still have the third one. Grandpa was a major musical influence. His favorite instrument was accordian but he cld improvise on violin, piano, banjo and a few others. He played mostly by ear. He used to sing in vaudeville in a quartet. His daughter, my mom, played violin and piano and owned a ton of sheet music and 78s from the 40s. Mom played showtunes on the hi-fi, Dad played John Phillip Suza. Everyone in the family played musical instruments. It was not unusual to find the radio on in the kitchen, accordian being played upstairs, and saxaphone being played in the basement. imo, I lived in a treasure trove of musical influences.
I watched "The Wizard of Oz" every Easter for years. One of my favorite songs is "Somewhere Over the Rainbow". I hope to put my version of it up here sometime. I love Judy Garland's voice.
I began piano lessons at age 5. I started choosing stations on the radio when I was 7. Chuck Berry, Hank Williams, Patsy Cline, the Everly Brothers -- I didnt pay much attention to who then but I know them now by their songs. The radio went from rock to country to rock night after night.
Growing up my favorite songwriter was Stephen Foster. I could play a lot of his songs on the piano. I also played stuff like Blue Danube and Que Sera, Sera on my own time. Lessons were a lot of chord progressions and pseudo-classical pieces. I dealt w/the monotony of practicing chords by making up songs of chords upon chords. Friends of my parents wld say "that's lovely -- what are you playing?" I wld say "chords."
I probably saw every 40s musical comedy that they ever made -- at least twice, if not three times. I loved Frank Sinatra and Bing Crosby and the big mouth singer, Martha Rae (thankyou for remembering her name, Richard). I learned to sing most of the songs on my mom's 78s. One of my favorites was a rather weird one called 'You'd be Surprised".
I was into Peter, Paul, and Mary when I first began to teach myself guitar about age 10-12. I found an old acoustic guitar in the attic (thank God my mom didnt follow the 7 year rule). A friend convinced me to buy the Joan Baez Songbook (a prized and well-worn possession). At this time I also became aware of Bob Dylan, the songwriter. Peter, Paul, and Mary was my first live concert. The Beatles were my second. I was crazy about the Beatles.
about this time I started putting words to the "chords" I played on piano and guitar ...