The Fall of Babylon
The Fall of Babylon music: dark/atmospheric/experimental: abstract, acid, ambient, drum n' bass, trip-hop, braindance, chillbient, cosmic, darkwave, downtempo
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Adventures Of The Nigerian Facebook Scammers Pt3
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The songs I have uploaded to this site are unfinished. I am still working on adding more instruments, sounds, sampling, drum beats, and vocals to the songs. I make various styles of music depending on my mood and inspiration(s) at the time. The styles of music I create/compose are dark/atmospheric/experimental:
abstract, acid, ambient, drum n' bass, trip-hop, braindance, chillbient, cosmic, darkwave, downtempo, EBM, electronic classical, experimental classical, goth, hardcore industrial, IDM, industrial electronic, intelligent techno, minimal, mood music, nature soundscapes, new metal, noise, psychedelic, reality soundscapes, tech step, trip
Join "The Fall of Babylon" yahoo group:
http://groups.yahoo.com/group/Fallofbabylon/Band/artist history
Solo artist working on different projects--s of music. Also works with other musicians.
music ( P ) Pronunciation Key (myzk)
n.
The art of arranging sounds in time so as to produce a continuous, unified, and evocative composition, as through melody, harmony, rhythm, and timbre.
Vocal or instrumental sounds possessing a degree of melody, harmony, or rhythm.
A musical composition.
The written or printed score for such a composition.
Such scores considered as a group: We keep our music in a stack near the piano.
A musical accompaniment.
A particular category or kind of music.
An aesthetically pleasing or harmonious sound or combination of sounds: the music of the wind in the pines.
music
Mu"sic, n. [F. musique, fr. L. musica, Gr. ? (sc. ?), any art over which the Muses presided, especially music, lyric poetry set and sung to music, fr. ? belonging to Muses or fine arts, fr. ? Muse.] 1. The science and the art of tones, or musical sounds, i. e., sounds of higher or lower pitch, begotten of uniform and synchronous vibrations, as of a string at various degrees of tension; the science of harmonical tones which treats of the principles of harmony, or the properties, dependences, and relations of tones to each other; the art of combining tones in a manner to please the ear.
Note: Not all sounds are tones. Sounds may be unmusical and yet please the ear. Music deals with tones, and with no other sounds. See Tone.
2. (a) Melody; a rhythmical and otherwise agreeable succession of tones. (b) Harmony; an accordant combination of simultaneous tones.
3. The written and printed notation of a musical composition; the score.
4. Love of music; capacity of enjoying music.
The man that hath no music in himself Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils. --Shak.
5. (Zo["o]l.) A more or less musical sound made by many of the lower animals. See Stridulation.
music
Jubal was the inventor of musical instruments (Gen. 4:21). The Hebrews were much
given to the cultivation of music. Their whole history and literature afford
abundant evidence of this. After the Deluge, the first mention of music is in
the account of Laban's interview with Jacob (Gen. 31:27). After their triumphal
passage of the Red Sea, Moses and the children of Israel sang their song of
deliverance (Ex. 15). But the period of Samuel, David, and Solomon was the
golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the
first time systematically cultivated. It was an essential part of training in
the schools of the prophets (1 Sam. 10:5; 19:19-24; 2 Kings 3:15; 1 Chr. 25:6).
There now arose also a class of professional singers (2 Sam. 19:35; Eccl. 2:8).
The temple, however, was the great school of music. In the conducting of its
services large bands of trained singers and players on instruments were
constantly employed (2 Sam. 6:5; 1 Chr. 15; 16; 23;5; 25:1-6). In private life
also music seems to have held an important place among the Hebrews (Eccl. 2:8;
Amos 6:4-6; Isa. 5:11, 12; 24:8, 9; Ps. 137; Jer. 48:33; Luke 15:25).Have you performed in front of an audience?I'm still preparing things but I'm planning to play live whenever possible (hopefully soon)
Your musical influences
My life experiences, the waves/synth sounds I create, a perfect circle, amber asylum, ambient, android lust, angry music, aphex twin (I was especially inspired by the albums - "Selected Ambient Works I", "Selected Ambient Works II", "I care because you do..." and "Drukqs"), autechre, bjork, boards of canada, braindance, cevin key, chevelle, coil, covenant, dark ambient, dark music, darkwave, david bowie (only the albums - "Outside", "Earthling",and "Heathen"), dead voices on air, decoded feedback, deftones, depressing music, die form, download, edgey, eerie music, eminem, experimental, floatpoint, goo, some gothic rock, grooverider, harold budd, headphones, (hed)pe, hybryds, idm, industrial music, instrumentals, led zeppelin, lull, lustmord, marilyn manson, massive attack, meat beat manifesto, melody, merkin, minimal, ministry, mujaji, music theory, new metal, nine inch nails, nirvana, noise, noises, nothing records, o yuki conjugate, orbital, paul oakenfold, pax, penal colony, philth, photek, pig, pink floyd, pink floyd: the wall, pixies, plaid, plateau, prick, project pitchfork, project86, prong (only the album "Rude Awakening"), radiohead, rage against the machine, sad music, saru, scorn, skinny puppy, slipknot, sound effects, soundscapes, squarepusher, staind, static-x, steve roach, system of a down, tapeworm, tech step, the cure (mostly his older darker albums), the doors (the darker songs), the grid, the orb, the shizit, tool, tricky, trip hop, tuu, twilight circus, u.n.k.l.e., velvet acid christ, vir unis, william orbit (only the album - "Pieces in a Modern Style"), x marks the pedwalk, yen poxWhat equipment do you use?
Synths - Roland XP-50, and a Korg X5
Bass - Memphis
Electric Guitar - Yamaha and a Vantage
Acoustic Guitar - Alvarez
Effect Pedals - Compression Sustainer (Boss), Noise Suppressor (Boss), Mega Distortion (Boss, Hyper Metal (Boss), Super Metal (Rogue), and a Death Metal Distortion (DOD)
Effect Processors - GT-6 Guitar Effects Processor (Boss), and a FX7 Guitar FX Processor/Preamp
Turntables - Gemini XL-20
Microphone - Peavey
Recording Equipment - Computer I built with a Mp3+ Soundblaster card.
Computer Programs - Creative Recorder, Cool Edit Pro 2.0, GoldWave, Sound Forge 5.0, Samplitude Master v6.0, Creative Wave Studio, CDex Wave and Mp3 Convertor, Sayit, Textassistant, Soundfont - Audio HQ, Vienna Soundfont Studio, Creative Keyboard, Qbasic, X5_05 Sound Editor, ChangeIt! for Roland JV and XP, Cakewalk (Sonar 2 and Cakewalk Express), AP Guitar Tuner, Guitar Assistant, and EAX Control Panel (Computer Generated Effects Processor), Fruityloops 3, Sonic Foundry ACID 2.0, Cubasis VST, Samplitude, and WaveLab LiteAnything else?
Currently the songs that I am uploading are just demo's. These songs are not complete yet. I still have to add more sounds to the songs, edit the songs, add drums/beats, and vocals. I am currently working on completing these songs to come out with an album.
If you like the demo's and you want a cd of them contact me at:
aphexgoth69@yahoo.com
Also join "The Fall of Babylon" yahoo group:
http://groups.yahoo.com/group/Fallofbabylon/READ MORE
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Contact
Sorry, this artist currently doesn't accept email messages.
Comments (2)
great smooth sound and mixing =)
Checking out some of the other dark ambient projects here. I signed up recently under Darkened Soul. A friend of mine is also here as In The Mist. He's doing about 8 projects himself at the moment...check us out when you get a chance.
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