The Rottenest Raveups
Message me for more information concerning my highly eclectic music.
5
top 50
18
songs
17
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Wretched Rusty Old Shack
Buttermilk Co'nflakes (For Arthur Figgis' Bre 801
It is a combination of Ragtime, Jazz, Swing, Blues, Country, Folk, Boogie-Woogie, Gypsy-Jazz/Manouche, Rock/Rockabilly/Rock N'Roll, Classical, Western Swing/Country-Jazz/Cowboy Bop/Hillbilly Jazz/Country Bop, with some Russian, Greek, Indian, Turkis
Buttermilk Co'nflakes (For Arthur Figgis' Breakfas
Babaghanoush
Show all (18)
Basic
$25
MP3
No audio tag
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file
you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
My music, in brief, most often constitutes a blend of several disparate genres, a few of which are of my own invention and creation. It would take quite a while to accurately and precisely describe, classify, categorize and name it, to list them all. Simply put, my music at its most basic level approximates a comminglement of East and West, of Eastern and Western music styles. It is NOT solely confined to nor representative of just and only ONE genre; no, not even in merely one song. There being nothing here to choose from, no one genre that completely fits my work and describes my music, I selected the following, but as I and my music essentially and sequentially encapsulate nearly ALL music, I shall periodically change my profile accordingly, so that all known genres may be thus and adequately represented.READ MORE
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Comments (51)
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
This is Free Jazz only in the sense of it being entirely improvised and experimental, and of it creating its own musical structures to which it adapts, but adapting to no others but its own. It is free and freeform, and, of course, highly improvisational. This composition is at heart basically improvisation. These are the things that make it Jazz and especially Free Jazz. But in terms of actual melody, the main basis of this is more like a sort of an inchoate and impromptu blend of Rock and especially and specifically Folk-Blues, Country-Blues and Delta Blues. The very embryonic roots of the actual and bona-fide Blues, in fact. 1920's-1940's style blues. Rough, hard-rocking, rollicking Blues. ACOUSTIC Blues.
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