Rob Gee Da' Produsa
My name is Rob "Rob Gee" Saunders and I'm a music producer based out of Raleigh, NC. I'm interested in working with all artists, writers, & labels.
199
songs
2.1K
plays
HitemHardTrax-BMI (212)
HitemHardTrax-BMI (215)
HitemHardTrax-BMI (217)
HitemHardTrax-BMI (216)
Show all (199)
Basic
$150
MP3
Contains audio tags
2,500 sales
Unlimited sales
Non-exclusive
Premium
$200
MP3 + WAV
Contains audio tags
5,000 sales
Unlimited sales
Non-exclusive
Trackout
$350
MP3 + WAV + Trackout
Contains audio tags
25,000 sales
500,000 streams
Non-exclusive
Buy 3 get 1 free
Unlimited
$500
MP3 + WAV + Trackout
Contains audio tags
Unlimited sales
Unlimited sales
Non-exclusive
Buy 4 get 2 free
Exclusive
negotiate
MP3 + WAV + Trackout
Contains audio tags
Unlimited sales
Unlimited sales
Exclusive rights
Buy 4 get 2 free
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$150
Multi
2,500
Unlimited
50/50
12 months
-
Premium
$200
Multi
5,000
Unlimited
50/50
12 months
-
Trackout
$350
Multi
25,000
500,000
50/50
12 months
Buy 3 get 1 free
Unlimited
$500
Multi
Unlimited
Unlimited
50/50
24 months
Buy 4 get 2 free
Exclusive
negotiate
Multi
Unlimited
Unlimited
50/50
36 months
Buy 4 get 2 free
FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file
you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
Albums
With over 40 years of music experience, founder and CEO, Robert Rob Gee" Saunders, pooled his talents and industry expertise with other business savvy executives to establish Hit'em Hard Music Productions. Known in the industry as Rob Gee", He has been producing since 1982 and mixing & engineering since 1994. He has an impressive roster of artists that he's engineered for at their live concerts. Rob Gee currently has over 2,700 original tracks for sale or hire and can be customized to fit any artists style and budget.
In 2022 the newly formed Hit'em Hard Trax was born. This new production arm would be the epitome of production houses around
the world putting out the hot of the hottest in todays music scene. The modifiable tracks consist of various sub-genres such as East Coast, West Coast, Mid-West, Dirty South, House, Jazz, Afrobeats, Rock, Gospel, Reggae, Latin, Drill, Crunk, Trap, and R&B. Rob Gee is a registered music publisher & writer with BMI (H.H.M.P. and Music Publishing) and has been since 1999.
Hitem Hard Entertainment Group is looking to contract its services out to other producers, record labels, and music supervisors who are looking to outsource work to get new music. The company is available and prepared to perform any of the original tracks live at the artists or producers convenience with proper fee's, production agreements, travel and hotel accommodations. This would allow indie artists the chance to be seen and heard worldwide without the contractual restrictions of being under a label.
Tracks are also available for use in the movie / motion picture industry. Demo tracks are available upon written email request with a contact person and phone number. Need something remixed?? Email an acapella (vocals only) version MP3 with correct timing of your hottest song, and watch Hitem Hard Entertainment Group blaze it with a hot track and send it back to you!
For more information please feel free to contact Rob at 919.986.5558 or by email at hitemhardtrax@outlook.com.Band/artist history
Music has always been a talent of mine since I was a child. From playing drums as young as 9 years old in church to playing trumpet in middle school to high school band. Later Id DJ at the local skating rink which is what I think helped spark my interest in music production & creation as a whole.
I started with my first Roland "BOSS" Dr. Rhythm Drum Machine back in 1985 in my parents apartment in Northern Durham, NC in what was known as Bragtown. That drum machine along with my Fostex 4 track recorder was the start of something dope! I hooked up with a young man by the name of Ron Hanberry, AKA D.S.T Divine Saviour of Truth. Hailing from Brooklyn NY, he brought true lyricism and dopeness to the Emcee and rap scene in the mid 80s to our hood. We would go on to produce a dope EP that we would shop to B-Boy Records, Tin Pan Apple, SOLAR, and other majors such as Tommy Boy Records back in the day.
I built my first real studio in 1995 in my house in Northern Durham and from there I went on to build studios for a few friends of mine over the next couple of years. I owned several Alesis & Yamaha Drum Machines as well as keyboards for years before realizing that I truly had a passion for recording. I eventually upgraded from analog tape to the Vestax Digital 8 track Hard Disk Recorder eventually using a maxed out PC as my recorder of choice with Cakewalk (Sonar) and the Guillemot Isis input card. I had the Bull City on lock down with having one of the dopest home studios in the city. Since then I'd go on and built and owned 3 recording studio's / production suites in the RDU area. I joined BMI both as a writer and a publisher in 1999 establishing H.H.M.P. and Publishing, Co. which would fall under the Hitem Hard Music Productions imprint which was founded in 1988. In 1992 I purchased the Roland XP-60 Music Worksatation fully expanded with some of the dopest expansion cards on the market at the time. I also owned several samplers even though I was strongly against sampling and I had a dope Alesis Drum Machine. I created over 2,600 original multi-genre beats with the XP-60 and worked with several local and major artists on tons of their material. I was making Trap / Dirty South beats well before they came out.
Id go on to work with some dope artists locally and we would release a nice project. I ended up meeting this beautiful young lady I was a talented writer / mediocre singer who along with myself, wrote and produced an 18 track album in less than 1 weeks time. We captured the attention of Joie Manda of Asylum Records an Arista imprint in 2003 who was interested in signing my artists to the label. Eventually I had to drop the artists for trying to steal publishing from other artists that appeared on several songs on her album. As a result, I ethically could not go through with Asylum Records deal.
Later In 2003 I went through a somewhat bitter divorce and I sold most of my production gear and my publishing catalog before later finding out that I would win that portion of my divorce in court in 2003. I had already entered into music agreements with BET / Viacom Motion Pictures to provide instrumentals for the networks as well as signing with Phantom 4 Music Publishing out of Ontario, Canada for music licensing for TV / Film.
With everything going for me and my company, I got discouraged and shut down my entire shop until my oldest son Mario talked me into getting back into the game in 2015. I decided to take him up on it as long as he and his brothers agreed to learn the equipment so that one day they could take it over.
Times had brought about new ideas and new and much smaller equipment in the recording game so I had to upgrade to smaller more advanced digital equipment that would do the same things as all of my older analog gear could do. Everything was mixed and mastered in a computer. Well since I had gotten rid of main keyboard for beat making, I searched all over for a replacement before finding me a Roland Juno G keyboard. I used it for a few months until I came across the Fantom x6 at a local pawn shop. I had hit the production goldmine!!! I was back in the game and was ready to start producing some new material.
It's now 2023 and I've been busy with my newest toys, the Roland Fantom x6 and the Akai MPC-X. I'm looking to collaborate with other indie as well as major artists, producers, and music supervisors.
Let me help you make your next hit!!!!!
Rob "Rob Geezy" Saunders, Jr.
Hit'em Hard Music Productions / Hit'em Hard Trax
HHMP and Publishing Co. (BMI Affiliate)Have you performed in front of an audience?I've performed in front of crowds but it pales in comparison to hearing one of my tracks performed live by an artist.
Your musical influences
My first influencers were two mentors who was in the game and knew exactly what I needed to do to be successful. It was Bill Ormond of the Twilights & Willie Hill of Inspire Productions. Later I studied and followed Quincy Jones, Rodney Jerkins, Jermaine Dupree, Dr. Dre, Babyface, and others who have shaped music in this century.What equipment do you use?
Right now I use the Roland Fantom x6, The Roland Juno-G, and the Akai MPC-X Workstations for all of my productions. No offense but I'm not a "Fruity Loops" drag & drop producer. I like to pound out each and every sound on the keys and the pads!Anything else?
It's now 2023 and I've been busy with my newest toys, the Roland Fantom x6 and the Akai MPC-X. I'm looking to collaborate with other indie as well as major artists, producers, and music supervisors.
Let me help you make your next hit!!!!!
Rob "Rob Geezy" Saunders, Jr.
Hit'em Hard Music Productions / Hit'em Hard Trax
HHMP and Publishing Co. (BMI Affiliate)READ MORE
READ LESS
Contact
Please sign up or log in to contact the artist.
Sign up
Log in
Comments (1)
this beat is hard...collab? hit me on IG: beatsinabag
Promoted
Not related to artist