Taka Aida

Taka Aida, a doctor of engineering in chemical engineering. An amateur composer. Mainly creating computer-programmed music.

16 top 50

16 songs

3.9K plays

Sympathy for the Cut Melon

Using the sounds of Panpipes, Handcrapping,Drums, Bass,Electric Piano and String-Mellotron-like Pads. I imagine Patrick Moraz on keyboards, Bill Bruford on drums and Richard Sinclair on electric bass,I don’t know if it works well.

Progressive Rock 6/8 No samples

rock

instrumental

prog

mellotron

polyrhythm

$1 $8

November: Tamarack / The Huron Carol / Tamarack

This work consists of three sections. The first and third sections are mainly in an odd time signature of 13/4, while the second section includes march in 2/2, jig in 2/2 and reel in 2/2.

#20 in Traditional Celtic No samples

drums

percussion

electric guitar

fiddle

harpsichord

$1 $5

Wings to Fly

This is a kind of fight song or yell for someone flying away to the new worlds, including myself. I'm just starting a new job yesterday, September 11, 2023. The catchiest tune among my works by far.

#18 in Pop Rock 4/4 No samples

rock

instrumental

piano

bass

synth

$1 $2

March: Deep Water Lies Still

Music itself is mostly composed in an authentic way in the classical music except the many changes in the time signatures. I cannot explain why I employed such a way. It came into my head just like an inspiration. I wrote the sheet music as it was.

#43 in Symphonic No samples

piano

classical

contemporary

prog

cello

$1 $5

Overture: Arrival

This piece is an opening track of my second album, "Waterloo Suite". It starts like an ordinary classical music with cello, oboe, harp and string orchestra. At 2:53 it changes to prog rock, and at 3:26 it changes again to avant-garde rock style.

Contemporary No samples

rock

drums

prog

harp

cello

$1 $5

Show all (16)

Albums

2 songs

5 songs

9 songs

Taka Aida

Kawasaki, Kanagawa Japan

Rock • Progressive Rock

soundclick.com/takaaida

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id: 1519028

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Comments (5)

Thanks, Bob! I’ve tried this kind of Irish/Scottish trad in the piece “Highland Riding….” in the album “Precious Times”, but I have felt it has not been perfect for me. That’s why I made this one. I think it was improved more than the first trial!

Nice build up throughout the intro - great sitar soloing and rhythmic triplicates - cool change into a polka, does add that "Rock" feeling - reminded me a little of Styx here. Bravo!

Very dynamic, and engages ones imagination to sail into this journey. Love the build and progressions, sweet tones. Congrats on a fine production.

A beautiful piece that one can meditate to - great stress reliever :^))

Tight production, well done 👍

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