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Nukem Empire Beats
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Nukem Empire Beats
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1 Top 10
5 Top 50
98 Tracks
1992 we started producing Hip Hop on an Ensoniq EPS 16+. After years the studio has grown up to a Sound-Lab. All is produced on hardware, we need no samples!
2
Rocket Dock
Uploaded 4 days ago
$15
3
Cool Breeze
Uploaded 5 days ago
$15
4
Swing Thing
Uploaded 6 days ago
$15
Lease pricing
Compare licenses
Basic
$15
MP3
2,500 sales
10,000 streams
Non-exclusive (lease)
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Premium
$50
MP3 +WAV
5,000 sales
50,000 streams
Non-exclusive (lease)
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Trackout
$80
MP3 +WAV +Trackouts
25,000 sales
500,000 streams
Non-exclusive (lease)
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Unlimited
$120
MP3 +WAV +Trackouts
Unlimited sales
Unlimited sales
Non-exclusive (lease)
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Exclusive
$150
MP3 +WAV +Trackouts
Unlimited sales
Unlimited sales
Full ownership
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Untagged audio
WAV file
Trackout/stems
Sales limit
Paid streams limit
Albums, iTunes...
Publishing split
License for TV/Movie
Must credit producer
License duration
Discount
Buyer gets ownership
Basic
$15
2,500
10,000
1 commercial use
80% buyer
24 months
Premium
$50
5,000
50,000
2 commercial uses
80% buyer
24 months
Trackout
$80
25,000
500,000
3 commercial uses
90% buyer
24 months
Unlimited
$120
Unlimited
Unlimited
Unlimited
90% buyer
Unlimited
Exclusive
$150
Unlimited
Unlimited
Unlimited
100% buyer
Unlimited
FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
$7.00
12 songs
$7.00
11 songs
$7.00
11 songs
$7.00
12 songs
$7.00
12 songs
$7.00
13 songs
To keep it short and simply why we do what we do: Without producing music for us life is meaningless.
Band/artist history
Inspired by german rap we started in 1992 to produce Hip Hop Beats with an EPS of Ensoniq, later we bought an EPS 16+, more RAM and nice effects. The lucky thing as we bought the EPS. our first Sampler was, that the dealer offert us as an addition a fantastic samplelibrary with all necessary sounds to be on top in the 90s. (150 1,4MB Floppydisks) But how it is with musicans, they all have a great ego and all broke down. After some years all the coremembers of the beginning gathered and discuss about to build a real pro-studio and how to reach the goal: Fat production and a recordcontract. In 2006 we reached the goal: A contract with OrcaRecords, but ... sadly in 2010, after 3 albums, OrcaRecords broke down. But we got help: From Zimbaland, BandCamp, Soundrop ....+ We tried much styles, D&B, 2Step, House ...,, but what is suitable for us is Dub and Hip Hop, so we stay on this two flavors.
Have you performed in front of an audience?
Two significant situations are in memory. The first was the concert in Backstage in Munich of "Torch" (Advanced Chemistry), one of the leading Hip Hop Crews in the 90s in Germany. Our job was just the lightshow, but after the first track "Torch" shouted to the mixing-engineer "Please MORE Bass"., but nothing happend. Ok, "Torch" went on with the second track, but after the second he again begged the mix-master for more bass, but nothing happend. Our producer checkt what is the prob: The engineer is a "Metal-Musican" and is frighten of bass. Our producer kicked him away and adjusted the bass on the console to the basssound which is suitable for fat Hip Hop. After this adjusting "Torch" shouted out "Yeah Yeahh, thank you" and the crowd freaked out to the third track. It was a great concert. A other memory, a sad one, or better to say, what can run wrong: We had a concert. 12 tracks prepaired. Ok, sondcheck, 1, 2 everything runs best, good bass, Mics ok, kool feeling. We wait for our perfomance for 3 hours, ok, now we are on the rock, two MCs and two femal-singers are on stage, one DJ and our producer, we start the first track, but .... what tha fuck...... NO BASS, no bass, no signal on the bassspeakers. Our producer got a short discussion with the mixing-engineer after the first track to solve the prob of the bassspeakers, the engineer said "yeah I will do it", but track two, ... nothing happend. So it went on to track four, and... suddenly, while track four the hostMC broke down our performance. This was realy a bad experience, but, Yeah, ... learning, experience is the best teacher.
Your musical influences
Very simple are our influences: Bootsy Collins, George Clinton, Digital Underground, Miles Davis, Nina Simone, Dr. Dre, NWA, Public Enemy, Jazz, Funk, P-Funk, Mad Professor, God, Jah, Jesus, Amma, Chinmoy, Beethoven, Brahms etc.
What equipment do you use?
32Track Mixing-Console, Ensoniq ASR 10, Ensoniq ESQ1, Kawai K4r, Kawai K1 II, Boss Dr 202, Korg ER1, Doepfer MS404, Novation A-Station, Access Virus C, Akai SG01 PianoModul, Atari Falcon 030 with ACE-MIDI 2.0, Behringer Virtualizer, CSX3, WME, some bullshitplugs. (Mics) AKG c2000 B, AKG c1000 S, MXL 9000
Anything else?
no.... everything is said ... ahhhh one thing we have 4 U: All is mixed 2 -14 LUFS and TPL -1dB; ..... --- u know about diz shit ...TPL and LUFS, yes we giv a fuk on tha ableton-mickyMouse-bizziBuzzi-Bullshit
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