Matteo Curcio
From cool vocal tracks to upbeat instrumentals, Matteo writes in the Electronica, Downtempo, Chill-Out, Jazz, and Chillwave genres.

Meditation no.4: Metropolis
A 5-minute mindful meditation soundscape to make you feel settled and calm by focusing on your breathing, immersing yourself into the night urban landscape of a futuristic metropolis.
$29 Beats General

Devotion
Lo-fi dreamy and ethereal chillwave track with a lush, 80s feel. Featuring vintage synths, electric guitar, 80s drum machines - with subtle and hypnotic electronica undertones, subliminal vocals, and analog tape processing for that extra warmth.
$29 Smooth

Limelight
A nu-disco electronic ballad extravaganza with retrowave/outrun influences, coming straight from a New York 1970/80s club. Featuring 80s electronic drums, handclaps, lush smooth 80s synth swells, a horn section, and a sensual female vocal sample.
$29 Indietronic

DeLorean Ride
A track from the era that brought the world Back to the Future, Miami Vice, and The Knight Rider: a nostalgic romp through the greatest hits of the 1980s.
$29 Beats General

Morbossa
A smooth, chill-out, bossa-nova downtempo track featuring the sweet vocals of Marinella Mastrosimone of Musetta. The ideal background for romantic, sunny, elegant and cool summer or spring videos or photo galleries with an elegant yet sexy twist.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
I have been crafting electronic music since the 90s under many different names, although known as one-piece of the Grammy-award nominated duo Musetta, bursting into the downtempo scene in 2009 with their debut album Mice to Meet You!.
Growing up in the suburbs of Milano throughout the 80s and 90s, I started playing as a teenager in indie psychedelic/progressive rock bands as an escape from the drudgery of small-town life.
In 2006 I formed the duo Musetta with singer Marinella Mastrosimone. The project saw much critical acclaim with their downtempo, trip-hop anthems, and soon got us signed to the downtempo label IRMA, then licensed abroad by Armin van Buuren's Armada, with five chart-topping releases that climbed the Trance/EDM charts and got endorsed by names such as Pete Tong, Tiesto, John Digweed, Sasha, Paul Oakenfold, Laurent Garnier and David Guetta, and featured on several TV shows such as Better Call Saul, Elementary and House Of Lies.
After moving to Dubai in 2016, I'm currently working on my solo project, as well as the highly-anticipated second album with Musetta.
Have you performed in front of an audience?
I think we are defined from the first "adult" records we listen to in our teen years. My first three records were Kraftwerk "Computer World", The Police "Ghost in the Machine" and Genesis "Nursery Crime". They definitely shaped my music boundaries over the years.
My sound is hard to pigeonhole, though it is distinctly downtempo often crossing the boundaries from synth-wave and alt-pop all the way to trip-hop and electronica, and sampling from obscure Middle Eastern and East-Asian records in his music, often leading to unexpected new sonic territories.
Nowadays my main influences comes from Classicla Music (romantic/contemporary/minimalistic), Jazz (modal, cool, be-bop), Brazilian Music (MBP and Bossa Nova), early electronic music (pre 1960s) and prog-rock (Canterbury, Rock in Opposition, Space/Cosmic/Kraut).
I used to collect hardware gear in my teen years: I had a chance to play with Moog Memorymoog, Juno 106, TB303, Prophet 5, Binson Echorec, Roland Space Echo, and early samplers: Kurzweil, E-Mu, Akai. On an Atari ST initially, than any Mac you can think of. Nowadays I almost work in the box, juggling between Ableton Live, ProTools and Logic Pro. As a digital nomad, so I need a minimal setup - now based around a specced out Mac Mini.
Don't give up.