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Concentric Halo
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Concentric Halo
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1 Top 50
11 Tracks
Draft soundtracks for visual media, particularly games and film/tv. Tailored tracks can be delivered in 24 - 48 hours.
1
AMBIENT A
Peak in sub-genre #20
2
AMBIENT B
Peak in sub-genre #24
3
AMBIENT C
Peak in sub-genre #37
Lease pricing
Compare licenses
Basic
$15,000
MP3 +WAV +Trackouts
1,000 sales
5,000 streams
Non-exclusive (lease)
Buy 1 get 1 free
Compare
Premium
$50
MP3 +WAV
5,000 sales
50,000 streams
Non-exclusive (lease)
Buy 1 get 1 free
Compare
Trackout
$100
MP3 +WAV +Trackouts
25,000 sales
500,000 streams
Non-exclusive (lease)
Buy 1 get 1 free
Compare
Unlimited
$200
MP3 +WAV +Trackouts
Unlimited sales
Unlimited sales
Non-exclusive (lease)
Buy 2 get 1 free
Compare
Exclusive
$2,500
MP3 +WAV +Trackouts
Unlimited sales
Unlimited sales
Full ownership
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Untagged audio
WAV file
Trackout/stems
Sales limit
Paid streams limit
Albums, iTunes...
Publishing split
License for TV/Movie
Must credit producer
License duration
Discount
Buyer gets ownership
Basic
$15,000
1,000
5,000
0 commercial use
70% buyer
24 months
Buy 1 get 1 free
Premium
$50
5,000
50,000
2 commercial uses
12 months
Buy 1 get 1 free
Trackout
$100
25,000
500,000
3 commercial uses
12 months
Buy 1 get 1 free
Unlimited
$200
Unlimited
Unlimited
Unlimited
24 months
Buy 2 get 1 free
Exclusive
$2,500
Unlimited
Unlimited
Unlimited
100% buyer
Unlimited
FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
I like soundscapes, loops and atmospheres. My passion has always been aimed at coupling music with visual works and one such project landed me in the Cannes Film Festival. I love working with vocal samples and sound textures to create aural 3D paintings. My mixes are rough masters that require professional mastering (not my thing).
Band/artist history
Before a traffic accident at age 11 that left me in a coma for 6 days with severe and life-threatening intracranial hematoma, I had never touched a keyboard. After it, when visiting my grandparents, I went directly to their old organ and played one of Iceland's best known songs - melody and chords - in a single shot. This has remained with me ever since; I hear a track coming from somewhere and often feel as if I am the vehicle through which certain types of music is channeled. Three times I have tried to quit music but it simply refuses to let me.
Have you performed in front of an audience?
I did a few gigs with bands during my time at Berklee College of Music but quickly found that my interest didn't lie in that direction - my place is behind the scenes. This became a problem when my only officially released album hit top 20 in various Eastern European countries and I was asked if I did concerts. I decided not to as I had no idea how to act on stage when computers ran the music. Bounce around like an ape looking for grapes? I think not.
Your musical influences
Prodigy, Chemical Brothers, Jean Michel Jarre, Simple Minds, Todmobile, Eric Serra, John Barry, Philip Glass, Johannes Brahms, Mono, Radiohead, Shaggy and Alpha Blondy . . . and that does not even come close to filling the list.
What equipment do you use?
FLStudio and Propellerhead Reason on an Ideapad 3.30 laptop with Sennheiser headphones (not the rig to properly master anything)
Anything else?
Pressed for time? I was invited to the Cannes Film Festival by creating a backup score for a 90-minute film in 7 days on a 3-day notice. The initial 'composer' managed to get his materials in before the deadline but I got to experience Nice and Cannes. I work fast but I don't master - and prefer external mixing to add fresh elements to the final results.
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