ONLINE-MIXING-AND-MASTERING.COM
WELCOME TO ONLINE MIXING AND MASTERING
Online Mixing and Mastering is the New Solution for the Online Artist.
Online Mixing and Mastering is the new All In One production service for the Online Artist that wants top quality sound for reasonable prices.
There are millions of talented Indie Artists online on 1000s of music sites on the Internet.
Many of these artists are very talented, but are lacking in mixing and mastering skills.
Some of these artists are making CDs to sell on their websites, while others just want their songs to sound the best they possibly can, but cant afford expensive studio prices.
Online Mixing and Mastering is the solution to this problem.
Online Mixing and Mastering specializes in the mastering of CDs and individual songs, but also offers a bundle of other services, such as mixing, editing; remixing, online drummer, full production services and song and beat licensing.
Tell me about your history? How did you get where you are now?
THE HIT FACTORY NEW YORK, NY USA
A&R STUDIOS NEW YORK, NY USA
ELECTRIC LADYLAND NEW YORK, NY USA
FANIA RECORDS NEW YORK, NY USA
SIGMA SOUND PHILADELPHIA, PA. USA
PARAGON (PETER BAUMANN-TANGERINE DREAM) BERLIN, GERMANY
RECORDLAND (POLYDOR, PHONOGRAM) BERLIN, GERMANY
TRIXX MUSIKPRODUCTION BERLIN, GERMANY
JOACHIM HEIDE STUDIOS (THE WEATHER GIRLS, EAST WEST RECORDS) BERLIN, GERMANY
ROLF BUDDE PUBLISHING BERLIN, GERMANY
ALL IN ONE STUDIOS BERLIN, GERMANY
Have you performed live in front of an audience? Any special memories?
Yes, sometimes
Your musical influences
The best producers and engineers in the business
What equipment do you use?
control room with 40m2, top acoustics
mixing console:
Tascam M700 56ch Inline/motor fader, FX submixer, Neve + Avalon + TG preamps
recording machines:
ProTools HD3 Accel (112trk/56ch), Apogee A/D & D/A converter, Mac G5 + Logic Audio + ProTools software, 2" analog (24trk), Dolby SR (24ch),
master machines:
TC-DAT, 1/2", Dolby SR, Tascam DA45 (24bit), 6ch Apogee PSX 100/96kHz,
monitor system: stereo + hi resolution 5.1.
Genelec 1038A, Dynaudio ABES sub bass, Dynaudio BM15A, Smart Audio, Yamaha NS10, Terzband Analyse
FX:
AKG BX20, EMT 240 Goldfolie, Eventide H3000 SE (2x), Klark DN780, Lexicon 480L + PCM41 + PCM60 + Prime Time, Roland 201 + RE501 + VP9000, Sony D7 + R7 + M7 + S777, TC 2290 Multidelay (2x) + M5000 + Fireworx + D2 Delay, Ursa-Major Space Station, Yamaha SREV1
comp./lim./gates:
Audio & Design vocalstresser, Crane Song comp./lim., dbx160x comp. (2x), dbx 160SL Comp., 8ch Drawmer 201 gate, e-labs Distressor (2x) + Fatso, Jünger d01, Manley comp. (2x), SPL De-esser (3x) + Transient Designer, SSL stereo comp., Tube-Tech comp. CL1A (2x), Urei 1176LN Black Face (2x), Valley People 440 (2x), Valley stereo de-esser
EQ/filter & preamps:
Avalon AD2022 2ch micpreamp, Avalon AD2055 2ch EQ, Avalon AD2077 stereo EQ, Avalon 737 Channel Strip, Chandler LTD1 preamp/EQ + TG2 micpreamp, 4ch Focusrite ISA215 micpreamp/EQ + 2ch Red EQ, Jünger e07 EQ (96KHz), Klark DN27 Terz EQ, Lorenz V241/valve micpreamp (4x), Neve 1081 EQ (2x) + 1073, SPL Qure EQ + Tube Vitalizer, Sherman Filterbank, Tech 21 Sans Amp, Tube-Tech EQ PE 1B (2x) + ME 1B (2x), Tube-Tech MEC1A micpreamp/EQ (3x), Tube-Tech SMC 2BM stereo multiband compressor
microphones:
AKG- and Neumann microphones
