Neven Dayvid
Neven Dayvid
Tell me about your history? How did you get where you are now?
In 2001, I released UNSTAR, my deconstructivist take on early British and German industrial, punk, and jungle. The album is still widely available as a CD or download. UNSTAR was followed by two vocal albums, completing my "Berlin Trilogy": "Stranger" and "Berlinoise", expanding my experimental, sampladelic vision into the realms of Dark Wave, Prog, Free Jazz, and Polynesian Opéra Brut.
Since then, i set off on a different path:
Drawing inspiration from the NATURAL WORLD - in all its beauty, vastness, and absurd cruelty - as well as extreme mental / psychedelic states, and working in the fundamentally abstract medium of PURE MUSIC, I created a body of work that will be gradually made available through my website (currently under construction).
Lush, grandiose, and clangorous amorphous soundscapes, composed with an array of ancient analogue / modular synthesizers as well as a host of acoustic instruments - imagine DEMENTED FIELD RECORDINGS from a VENUSIAN SWAMP on a WARM RADIO-ACTIVE SUMMER NIGHT...
Currently, I am working on a new song album in my Berlin studio.
Your musical influences
In random order: Conrad Schnitzler, Morton Subotnick, Brian Eno, Sun Ra, Scott Walker, Harry Partch, Debussy, King Tubby, M'Buti trad. music, Throbbing Gristle, David Bowie, Tangerine Dream, Pink Floyd, Cluster, Miles Davis, C Cat Trance, Goldie, Bob Dylan, Thelonious Monk, hespos, Percy Grainger, Snakefinger, Stockhausen, Vangelis, Portishead, Roxy Music, King Crimson, Nico, Edgar Varèse, Neu, Erik Satie, Legendary Pink Dots, Robert Fripp, Jon Hassell, gamelan music, Ornette Coleman, Klaus Schulze, Iggy Pop, The Stooges, Kraftwerk, Bill Laswell, Dario Domingues, John Cale, György Ligeti, The White Noise, Irish and Scottish trad. music, Einstürzende Neubauten, Leonard Cohen, Gustav Mahler, Roedelius, Johnny Cash, BBC radiophonic workshop, musique concrète, John Cage, African music