Matteo Curcio
From cool vocal tracks to upbeat instrumentals, Matteo writes in the Electronica, Downtempo, Chill-Out, Jazz, and Chillwave genres.
A 5-minute mindful meditation soundscape to make you feel settled and calm by focusing on your breathing, immersing yourself into the night urban landscape of a futuristic metropolis.
SoundClick artist Matteo Curcio presents "Meditation no.4: Metropolis", an outstanding release in the Beats genre. It rewards close listening, revealing new details on each playthrough. Representing the charismatic sound of beats in City, this track speaks for itself. Producers and creators can license "Meditation no.4: Metropolis" directly through Matteo Curcio's SoundClick page for $29.00.
Lo-fi dreamy and ethereal chillwave track with a lush, 80s feel. Featuring vintage synths, electric guitar, 80s drum machines - with subtle and hypnotic electronica undertones, subliminal vocals, and analog tape processing for that extra warmth.
"Devotion" is a licensable Smooth track by Matteo Curcio, available on SoundClick. It rewards close listening, revealing new details on each playthrough. The way that the driving bass, the beat pattern, and the melodic elements are working in sync is marvelous. It has peaked at #10 in Beats and #3 in Smooth on the SoundClick charts. Looking for a Smooth track to license? "Devotion" by Matteo Curcio is available on SoundClick for $29.00.
A nu-disco electronic ballad extravaganza with retrowave/outrun influences, coming straight from a New York 1970/80s club. Featuring 80s electronic drums, handclaps, lush smooth 80s synth swells, a horn section, and a sensual female vocal sample.
SoundClick artist Matteo Curcio offers "Limelight", an Indietronic track available to license. It is the kind of track that finds the right moment to make itself heard. Representing the charismatic sound of indietronic in Beach, this track speaks for itself. "Limelight" has performed across multiple SoundClick charts, reaching #9 in Electronic and #2 in Indietronic. Need a beat for your next project? "Limelight" is available to license on SoundClick for $29.00.
A track from the era that brought the world Back to the Future, Miami Vice, and The Knight Rider: a nostalgic romp through the greatest hits of the 1980s.
SoundClick artist Matteo Curcio presents "DeLorean Ride", an outstanding release in the Beats genre. Featuring arpeggio, the production has a distinctive and cohesive sound. This is the unmistakable sound of Beach, and it will especially appeal to beats fans. "DeLorean Ride" has peaked at #12 in the Beats General category on SoundClick. In the style of Kavinsky and The Midnight, this type-beat track is available to license for $29.00 directly through Matteo Curcio's SoundClick page.
A smooth, chill-out, bossa-nova downtempo track featuring the sweet vocals of Marinella Mastrosimone of Musetta. The ideal background for romantic, sunny, elegant and cool summer or spring videos or photo galleries with an elegant yet sexy twist.
SoundClick artist Matteo Curcio presents "Morbossa", an outstanding release in the Bossa Nova genre. The arrangement reflects a careful attention to detail that rewards repeated listening. Representing the charismatic sound of bossa nova in Brazil, this track speaks for itself. It has reached the top 10 on the SoundClick Bossa Nova chart, peaking at #1. "Morbossa" can be licensed directly on SoundClick for $29.00, making it accessible for sync, content, and creative projects.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
I have been crafting electronic music since the 90s under many different names, although known as one-piece of the Grammy-award nominated duo Musetta, bursting into the downtempo scene in 2009 with their debut album Mice to Meet You!.
Growing up in the suburbs of Milano throughout the 80s and 90s, I started playing as a teenager in indie psychedelic/progressive rock bands as an escape from the drudgery of small-town life.
In 2006 I formed the duo Musetta with singer Marinella Mastrosimone. The project saw much critical acclaim with their downtempo, trip-hop anthems, and soon got us signed to the downtempo label IRMA, then licensed abroad by Armin van Buuren's Armada, with five chart-topping releases that climbed the Trance/EDM charts and got endorsed by names such as Pete Tong, Tiesto, John Digweed, Sasha, Paul Oakenfold, Laurent Garnier and David Guetta, and featured on several TV shows such as Better Call Saul, Elementary and House Of Lies.
After moving to Dubai in 2016, I'm currently working on my solo project, as well as the highly-anticipated second album with Musetta.
I've been playing live from 1990 to 2015 - starting with an old Volkswagen van which used to accommodate 6 band's member and all the gear - including a massive Hartke Bass sub + 4x4 cabinet + Head. With my latest project, Musetta, being a duo made things definitely easier.
I think we are defined from the first "adult" records we listen to in our teen years. My first three records were Kraftwerk "Computer World", The Police "Ghost in the Machine" and Genesis "Nursery Crime". They definitely shaped my music boundaries over the years.
My sound is hard to pigeonhole, though it is distinctly downtempo often crossing the boundaries from synth-wave and alt-pop all the way to trip-hop and electronica, and sampling from obscure Middle Eastern and East-Asian records in his music, often leading to unexpected new sonic territories.
Nowadays my main influences comes from Classicla Music (romantic/contemporary/minimalistic), Jazz (modal, cool, be-bop), Brazilian Music (MBP and Bossa Nova), early electronic music (pre 1960s) and prog-rock (Canterbury, Rock in Opposition, Space/Cosmic/Kraut).
I used to collect hardware gear in my teen years: I had a chance to play with Moog Memorymoog, Juno 106, TB303, Prophet 5, Binson Echorec, Roland Space Echo, and early samplers: Kurzweil, E-Mu, Akai. On an Atari ST initially, than any Mac you can think of. Nowadays I almost work in the box, juggling between Ableton Live, ProTools and Logic Pro. As a digital nomad, so I need a minimal setup - now based around a specced out Mac Mini.