Lov3Them
A 270 artist: musician, tattoo artist, painter and music producer. Always ready to get involved and bet on my future.
Enjoy this crazy reggae beat in a Morricone style! BPM 130 KEY C min
"EM in the Jungle (Morricone in Reggae Sauce)" by producer Lov3Them is a striking Reggaeton release available on SoundClick. Rooted in Reggae, Roots and Dub, the song brings an easygoing energy to the Reggaeton space. Written in C min, the track draws on the key's naturally somber and expressive qualities. With its hopeful tone and an understated rhythm, the track covers a lot of emotional ground. Get this reggaeton track with a royalty-free Connect license — this is exclusively available on SoundClick.
Going back to the 80s is often healthy and fun. BPM 120 KEY D maj
"The Groove (Human League Type Beat)" by producer Lov3Them is a striking Old School release available on SoundClick. Lov3Them demonstrates a clear artistic voice throughout. With a tone that is energetic, house and techno, Lov3Them's track connects on an emotional level. Need a beat for your next project? "The Groove (Human League Type Beat)" is available with a royalty-free Connect license on SoundClick.
Enjoy the real 80s music vibes!
"Poppy Day (Retro Synthpop Type Beat)" is a licensable Old School track by Lov3Them, available on SoundClick. It is the kind of track that finds the right moment to make itself heard. The way that the driving bass, the beat pattern, and the melodic elements are working in sync is marvelous. Get this old school track with a royalty-free Connect license — this is exclusively available on SoundClick.
This smokey chillout trap beat is so languid and wrapping with a warm sax tenor and a smooth rhythm. BPM 120 KEY C min
Beats producer Lov3Them presents "Smokey Beat (Smooth Chillout Trap)", an instrumental track released on SoundClick. The sound is shaped by piano, saxophone and 808, giving the song its signature feel. The track creates a listening experience that feels dark, trap and cloud rap. The track is available royalty-free with a Connect license — a SoundClick-exclusive offer.
A perhaps mindless hip hop experiment in an orchestral cinematic horror key. KEY C min BPM 170 TEMPO 3/4
"The Undertaker (Experimental Hip Hop Beat)" by Lov3Them is a Beats production available on SoundClick. The sound is shaped by piano, 808 and strings, giving the song its signature feel. The way that the driving bass, the beat pattern, and the melodic elements are working in sync is marvelous. Get this beats track with a royalty-free Connect license — this is exclusively available on SoundClick.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
I have lived seven lives like cats and maybe even more, but nevertheless I am incredibly alive.
I have been lucky enough to be in the right place at the right time and to be able to travel a lot, thanks to what has been my job as a tattoo artist for so many years.
I then had the misfortune to be in the wrong place at the wrong time and there I lost everything I had, saving only the few things I cared about, including musical instruments, thanks to some friends.
But although they were hard years and I also lived on the street and without a roof over my head, they were intense years, which gave me much more on a human level than I had had before and this helped me a lot and thanks to music it saved my life.
At some point I found a very unique person, to whom I owe everything and who believes in me, in my crazy visionary dreams and in what I want to achieve, and I honestly don't know how she does it.
But thanks to her, I am still here and writing these things.
I started playing bass in 1985 at the age of 14 and after two years I started playing guitar, which then became my main instrument, playing in various bands, mainly rock and thrash metal.
In 2002 I stopped playing due to problems with my left hand, which I still carry with me to this day.
In 2012 I started playing again and took up the piano, and then resumed playing the bass and guitar, despite my hand problems.
At a certain point, tired of what had been my job and artistic path in body art for over 20 years, I decided to devote myself totally to music, and thanks to my training and study of music, I decided to explore and experiment, composing in a variety of musical genres and starting to sell my tracks on various sites.
And now I have landed here too, ready to play my cards with this umpteenth bet, which I will win, as always, thanks to my passion and dedication.
I played live several times, especially between the 80s and 90s, but it was never a dimension that made me feel really comfortable, although I had a lot of fun at the time.
The last time was at the end of 2014, when I played as a guitarist for a really interesting and wide-ranging trap music project, but even then it was really stressful, as it was in an ice rink and it was ridiculously cold.
From then on I decided to devote myself solely to studio work, collaborating with various artists, but turning down any proposal to play live.
I have so many musical influences, starting with 70s progressive rock from childhood, moving on to 70s English punk, metal, but especially extreme metal, like black metal.
I also listen to a lot of new wave, darkwave, post punk and synth pop, and for a few years now I have become very interested in ethnic music and hip hop.
My heroes?
As a guitarist absolutely Steve Hackett and then Ihsahn from Emperor.
As bassists: Jaco Pastorius, Paul Simonon (The Clash), Bruce Foxton (The Jam), Chris Squire (Yes) and Nick Beggs.
Alle tastiere Keith Emerson (ELP) e Rick Wakeman (Yes).
Come cantanti: Joe Strummer (The Clash), Peter Hammill (VDGG), Siouxsie Sioux (Siouxsie & the Banshees), Robert Smith (The Cure), Antonella Ruggiero (Matia Bazar) e Michael Kiske (Helloween).
Guitars and basses by Ibanez.
Korg and Line6 as keyboards.
Roland as external sound card and drum machine.
AKG headphones and Bowers & Wilkins speakers.
Shure and Sennheiser as microphones.
As a daw I use Logic Pro and as far as plugins are concerned I use Plugin Alliance, Arturia, Native Instruments, Tokyo Dawn Labs, Baby Audio, ESL, Fab Filter, Ik Multimedia, Izotope, Kilohearts, Melda Production, Nomad Factory, Overloud, Spitfire Audio, Toneboosters, U-he, Voxengo, XLN Audio, Tone2 and many more