LaFlamme
Over a decade in the game. I focus on warm, feel-good, bassy, tracks for chill nights.
Chill summer beat with guitar, nostalgia, and warm vibes.
"Beach Day" is a Dance & Electronic track by LaFlamme on SoundClick. The song is produced at a tempo of 80 BPM. This track is enriched with the use of samples, but no AI was used. No vocals are used in this beat, giving you unlimited production options. The use of F♯ min gives the track its introspective and emotional quality. With its groove-heavy rhythm, the song draws the listener in with ease. Looking for a Dance & Electronic track to license? "Beach Day" by LaFlamme is available on SoundClick for $30.00.
Chill summer beat with guitar, nostalgia, and warm vibes.
LaFlamme delivers a warm Dance & Electronic experience on SoundClick with "Spring Vibes". Running at 70 BPM, the song features guitar and brings a down-tempo feel throughout. This track is enriched with the use of samples, but no AI was used. No vocals are used in this beat, giving you unlimited production options. Written in E maj, the track draws on the key's naturally uplifting and expansive qualities. The track creates a listening experience that feels chill and relaxing. Looking for a Dance & Electronic track to license? "Spring Vibes" by LaFlamme is available on SoundClick for $30.00.
Summer fireflies in your ears. Electronica in the vein of Postal Service or DNTEL
Beats producer LaFlamme presents "Dream Signal", an instrumental track released on SoundClick. The song is produced at a tempo of 140 BPM. This authentic song uses zero artificial intelligence or samples; it is all human-made. A male singer provides a powerful vocal layer to the mix. Rooted in E♭ maj, the song carries a warm and resolved quality. With its joyful and vibrant tone and a steady groove rhythm, the track covers a lot of emotional ground. Fans and creators alike who love the sound of Postalservice can license "Dream Signal" directly from LaFlamme on SoundClick for $30.00.
A chill & upbeat guitar driven lofi beat, no samples, but plenty of sp404 vibes.
SoundClick artist LaFlamme presents "First Day Of Spring", an outstanding release in the Dance & Electronic genre. The tempo sits at 80 BPM, contributing to its punchy character. This is an entirely human-produced track, no AI, no samples, no shortcuts. It is a vocal-free instrumental beat, allowing for complete freedom in post-production. A melancholic note is given by the use of the A♭ min musical key. Listeners can expect an euphoric experience, with a tone that is upbeat, chill and vintage. "First Day Of Spring" can be licensed directly on SoundClick for $30.00, making it accessible for sync, content, and creative projects.
Smooth trap beat for summer nights.
"Swervin" is a Trap track by LaFlamme on SoundClick. The song is produced at a tempo of 100 BPM. This authentic song uses zero artificial intelligence or samples; it is all human-made. The use of C min gives the track its introspective and emotional quality. With its crowd-moving rhythm, the song draws the listener in with ease. Looking for a Trap track to license? "Swervin" by LaFlamme is available on SoundClick for $30.00.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
LaFlamme is who I am on chill nights. I focus on lofi (nostalgia, warmth, vintage sounds, my sp404sx, analog drums, tape saturation), and house (chill, tech & minimal).
I have 28 years on the guitar, it's my weapon of choice. I produce in Logic Pro on a Mac Studio with UAD gear. My studio is my home. After graduating with honours from a Production/Engineering program I landed a job writing jingles full-time. I've landed songs for McDs, Bell, Rogers, Infiniti, Ikea, Quaker, Tim Horton's, and a bunch of others. I then had some beats placed in shows like Orphan Black, Lucifer, Workin' Moms, Hudson & Rex, etc.
I like tight mixes with plenty of bass and try to infuse my own personality into every track to give it some life and character. I keep my sessions & stems clean and I'm always making new music.
I've produced a lot of music in a lot of genres. I really enjoy anything that makes me feel good, lately that has been bass driven house, and lofi hiphop & electronica. Guitar is a big part of my setup and is almost always incorporated in my lofi beats.
I've performed as a lead guitarist, bass player, studio musician, and multi-instrumentalist live. Some memorable shows were: a sold out Opera House (Toronto) where I was on bass guitar & running Ableton alongside a vocalist on stage, spinning electro on the main stage at a club called The Mod Club (where I also had a residency playing minimal & tech on a secondary stage), and performing in a slew of punk bands when I was younger (still feel young though)
Apex Twin, Deadmau5, Jon Hopkins, Postal Service, every band on Warped Tour, Mother Mother, Metric, some folk/acoustic stuff, anything that feels genuine and made by a human.
Logic Pro, Mac Studio, Adam a7x, UAD, Ableton Push 2, SP404sx, Rc202, Volca beats, Plenty of guitars & basses, Serum, Omnisphere, LABS, Splice (typically for percussive sounds), Mojave mic, Gretch Catalina Birch drum kit (mic'd), and pretty chill lighting.
In a world that sometimes seems chaotic, unpredictable, frightening, unhinged, and just plain weird, music's one of the things that actually makes sense.