Julius Schmidt
From Julius Schmidt's album: Perceive, this is the second improvisation of the set's first section: Clear Perception. It is a slow, yet emotionally deep, lyrical piece in G flat Major.
True classical improvisation, played with a unique, emotional sound which encompasses the depth and expressive capabilities of the piano.
True classical improvisation, played with a unique, emotional sound which encompasses the depth and expressive capabilities of the piano.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
This classical improvisation was actually improvised at the piano, with no preparation beforehand.
A Dark, slow, and intensely emotional piece, this classical improvisation was actually improvised at the piano, with no preparation beforehand.