Juan Calderon
Composer and guitar player with a focus on contemporary classical music, sometimes verging into Jazz. Most of the music here was recorded many years ago.
Track in the style of Composer, Experimental and New Music.
SoundClick artist Juan Calderon presents "1. El Paisaje", a remarkable release in the Contemporary genre. Juan Calderon demonstrates a clear artistic voice throughout. The arrangement unfolds with a natural ease, guiding the listener through a more immersive experience. "1. El Paisaje" has peaked at number 10 on the SoundClick Contemporary chart. If you enjoy artists like Composer, Experimental and New Music, Juan Calderon is worth exploring on SoundClick.
Enjoy this Contemporary track.
"Prelude to Solitude" is a Contemporary track by Juan Calderon on SoundClick. There is an authenticity to the performance that draws the listener in. The track delivers a memorable listening experience in this genre, and effortlessly connects with the listener. If you enjoy artists like Composer, Experimental and New Music, Juan Calderon is worth exploring on SoundClick.
Discover this Contemporary track.
Independent artist Juan Calderon drops "Yamanote Line Blues", a Contemporary track on SoundClick. The track carries an emotional weight that lingers well after it ends. This is a remarkable offering in this genre from this independent artist. Fans of Composer, Experimental and New Music will find "Yamanote Line Blues" worth adding to their playlist via SoundClick.
Guitar duet recorded at 5:30 in the morning, usually when I find myself more focused on my inner self.
SoundClick artist Juan Calderon presents "Emptiness", a remarkable release in the Contemporary genre. The arrangement reflects a careful attention to detail that rewards repeated listening. The arrangement unfolds with a natural ease, guiding the listener through a more immersive experience. If Jazz and Classical is your sound, "Emptiness" is a strong addition to your playlist.
A String Quartet Movement. MIVOS quartet: Joshua Modney, Violin I Olivia De Prato, Violin II Victor Lowrie, Viola Isabel Castellvi, Cello
"A Lustrous Finish of Aspic" by Juan Calderon is a Contemporary production available on SoundClick. It provides textures that deepen the overall emotional resonance. The track delivers a memorable listening experience in this genre, and effortlessly connects with the listener. Listeners who follow Composer, Experimental and New Music will feel right at home with this Juan Calderon release on SoundClick.
New York city based composer and guitarist Juan Calderon (b. 1979) is a native of Ecuador and was raised in Colombia since he was five. He immigrated to Miami, Florida at age 21 for political reasons.
The work of Juan Calderon speaks a unique language that blends elements from his early musical experiences in Colombia, as a member of various folk, rock (metal ) ensembles, and his studies in East Asian music fuelled by travels and interaction with musicians and artists in China and Japan.
Calderons music has been performed throughout South America, the United States and Asia. Although Juan cannot return to his native Colombia, his string duet, Famous Librarians (commissioned by Olivia de Prato and Victor Lowrie, was premiered at the MedellĂn Conservatory of Music.) His piece for electric bass and keyboard, Glue Pain Ghost, a collaboration with video artist, Jane Hsu, was invited to a world premiere at the GEISAI Art festival in Tokyo, and the Art Basel festival in Miami.
Juan Calderon holds a Masters of music from the Manhattan School of Music, where he studied under the tutelage of Susan Botti in composition and electronic music with Joel Chadabe. He also holds a Bachelors of Music degrees from Miami Dade College, where he studied jazz guitar with Tom Lippincott, and the New World School of the Arts, where he studied composition with Susan Epstein.
I played in a black metal band and a prog metal band in Colombia. When I moved to the US I played on a jazz band in college and I did gigs on the side playing solo guitar for weddings and graduations.
A Chronological Journey of Changing Musical Tastes:
-Corny Spanish Rock on the radio
-The Police
-Queen
-Led Zeppelin
-Gringos Locos
-Alice in Chains
-Metallica
-Death
-Cannibal Corpse
-Sepultura
-Slayer
-Ingwie Malmsteen
-Fight (Rob Halford's solo project)
-Pantera
-Symphony X
-Dream Theather
-Shitloads of Salsa and Vallenato I was forced to listen to on Colombian public transportation
-Soda Stereo (Never owned a record, though)
-The Cure
-Pat Metheny
-Pat Martino
-Bill Frisell
-Wes Montgomery
-Bill Evans
-Chick Corea
-Miles Davis
-John Coltrane
-Manitas de Plata
-J.S. Bach
-Shostakovich
-Bartok (Those dammed string quartets)
-Scriabin
-Mahler
-Interpol
-Morrisey
-The Smiths
-Debussy
-Stravinsky
-Rachmaninov
-Brahms
-Steve Reich
-John Adams
-John Cage
-Charles Ives
-John Harbison
-Lots of Piazzola
-Gesualdo
Pencil, paper, Roland keyboard found on the street, and many guitars.