Gerry Ellenson
My "band" is virtual with all music produced with a computer, currently using Cubase4. There are no song samples used and no live play. I've just started adding
Enjoy this Blues track.
"Closing Time" is a Blues track by Gerry Ellenson on SoundClick. The production choices feel intentional, giving the track a distinct character. The production choices here reflect a genuine understanding of what makes blues work. It has charted at #11 on the SoundClick Blues General chart. Looking for a royalty-free blues track to license? "Closing Time" by Gerry Ellenson is available with a free Creative Commons license on SoundClick.
Discover this waiting, hien thuc and saigon track.
Independent artist Gerry Ellenson drops "Waiting", a World track on SoundClick. The production choices feel intentional, giving the track a distinct character. This is the unmistakable sound of Vietnam, and it will especially appeal to world fans. "Waiting" has peaked at #15 in the World General category on SoundClick. Need a beat for your next project? "Waiting" is available with a royalty-free Creative Commons license on SoundClick.
A toddler getting a second wind a few times before she finally crashes.
SoundClick artist Gerry Ellenson presents "For Jazzy", an outstanding release in the Jazz genre. The song establishes its own world and invites the listener to settle in. Every element feels intentional, resulting in a cohesive jazz track that resonates. "For Jazzy" has peaked at number 7 on the SoundClick Jazz General chart. Producers and creators can get a royalty-free Creative Commons license for "For Jazzy" — the standardized, legally-sound way to grant permissions.
After a gazillion listens, I decided the pace of my arrangement of House of the Rising Sun was a bit too fast and that speed worked against the pathos I was aiming for. This version is a tad slower and, I think, works better.
"House of the Rising Sun II" by Gerry Ellenson is a Folk Rock production available on SoundClick. Gerry Ellenson demonstrates a clear artistic voice throughout. There is a quiet confidence to this track — the mark of an artist who understands the folk rock sound. It has charted at #11 on the SoundClick Folk Rock chart. The track is available royalty-free with a Creative Commons license, the standardized, legally-sound way to grant permissions.
This is a talking blues song about a dude growing and smoking marijuana. The lyric includes a scatological term for marijuana (in case you're sensitive about such things).
Independent artist Gerry Ellenson drops "Talkin' Sh Blues", a Blues track on SoundClick. The song establishes its own world and invites the listener to settle in. This track holds its own in the blues landscape — a confident, well-executed piece. "Talkin' Sh Blues" has peaked at number 6 on the SoundClick Blues General chart. Producers and creators can get a royalty-free Creative Commons license for "Talkin' Sh Blues" — the standardized, legally-sound way to grant permissions.
I lied. My "band" started out as a Yamaha SW1000XG sound card, now Cubase4, and I "play" all of the instruments. The music is all original, sequenced by step entry in Cubase4, and gets its final mix and encoding in Audacity.
The history of my band would be my own history, I guess. A thousand years or so ago I took piano lessons, voice lessons, drum lessons, guitar lessons, training on the baritone (horn), and various other trainings (even tap dancing). I've had a couple of actual "bands" - "The Shire Folk", which did folk music back in the late 60's and early 70's; and Swine Blu, a blues band which grew out of a computer bulletin board (any former Pig Sty Swine out there?) which existed long before the internet.
I've been influenced by just about everything I've ever heard. Though I've listed AbSynth Productitons as a "rock" band, you'll hear everything from rock to classical and marching band music.
Cubase4 with Halion samples; Cubase4 and Audacity for mixing and the final encoding. The sound is "proofed" using headphones and again with a surround sound amplifier using 6 speakers. When in doubt, I cut a CD demo and see how it sounds on my stereo and in my car.
Though I've owned guitars since I was 16, played baritone (brass) in a band for 5 years (THAT I could play) and took piano and drum lessons, my brain simply never really connected with my fingers. The music, however, is in my head and it has been fantastic having a computer and software to make music the way I'd like to if I had any actual facility with instruments. That might turn off actual performing muscians but I ask that you consider the end product. Using computer sequencing is the ultimate challenge. There is no excuse for anything less than ABSOLUTELY PERFECT in execution. That burden is heavy, and has kept me up late at night. There are so very many elements to achieve versimilitude.