Chris Knox Sr-Guitarist
Chris Knox Sr-Guitarist
1
top 50
3
songs
234
plays
On the Way
On the Way
This is one of the tracks from my upcoming EP. It features my son, Chris Knox II (Drums), Henry Roberson (Bass), & Billy Ray Sheppard (Sax). Darryl McEachin (Mixing), Damian Rodriguez (Mastering)
"On the Way" is a Smooth Jazz track by Chris Knox Sr-Guitarist on SoundClick. The sound is shaped by guitar and jazz guitar, giving the song its signature feel. The arrangement unfolds with a natural ease, guiding the listener through a more immersive experience. It has reached the top 10 on the SoundClick Smooth Jazz chart, peaking at #10. The track is available for licensing at $25.00 on SoundClick — a resource for producers, creators, and content makers looking for quality Smooth Jazz music.
I Must Tell Jesus_Smooth Jazz Mix
I Must Tell Jesus_Smooth Jazz Mix
This is a smooth jazz, instrumental version of the classic hymn. I played both acoustic & electric guitars, bass, percussion programming & vocals. Drums - Chris Knox II (My son), Engineering/Mixing - Darryl McEachin
SoundClick artist Chris Knox Sr-Guitarist presents "I Must Tell Jesus_Smooth Jazz Mix", an outstanding release in the Gospel genre. Featuring guitar, the production has a distinctive and cohesive sound. The kind of gospel track that draws you in and holds your attention through to the end "I Must Tell Jesus_Smooth Jazz Mix" has peaked at number 7 on the SoundClick Gospel chart. Chris Knox Sr-Guitarist continues to build a Gospel catalog on SoundClick, one of the longest-running platforms for independent artists.
Let Him In
Let Him In
Chris Knox Sr. - Acoustic Guitar, Electric Guitar, all other instrumental programming, Chris Knox II - Drums, Ronson Hall - Bass, Mixing - Darryl McEachin
Independent artist Chris Knox Sr-Guitarist drops "Let Him In", a Smooth Jazz track on SoundClick. Featuring electric guitar and acoustic guitar, the production has a distinctive and cohesive sound. This is the unmistakable sound of San Antonio, and it will especially appeal to smooth jazz fans. "Let Him In" has peaked at #19 in the Smooth Jazz category on SoundClick. Producers and creators can license "Let Him In" directly through Chris Knox Sr-Guitarist's SoundClick page for $25.00.
Basic
$25
MP3
No audio tag
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file
you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
I've been around music as long as I can remember. I was introduced to piano at age 5 but quit after constantly getting my hands whacked. (Somebody can relate!) My father always kept a guitar around the house but had it tuned to an open E chord. I later picked up the drums in 6th grade, then trumpet and bass in 7th & 8th grade. I quit music all through high school and didn't take interest again until after I entered the Air Force.
In the AF, I started on bass then switched to guitar after getting married. I have since had the opportunity to play with a number of groups primarily doing R&B, Gospel and later Smooth Jazz. One of my most memorable moments was being selected in 1989 as the guitarist for the AF Tops in Blue entertainment overseas showcase.
Through the various groups I've played with, I've had the opportunity to share the stage with gospel artists such as Kirk Franklin, Mississippi Mass Choir, Lee Williams and the Spiritual QCs, and Keith Pringle.
I've played backup behind some of the most noted smooth jazz artists in the industry to include: Paul Brown, Everette Harp, Gerald Albright, Eric Marienthal, Jessy J, Steve Cole, Richard Elliott, Jackiem Joyner, Four80East, Will Donato, Althea Rene', Cindy Bradley, Vincent Ingala, Joseph Vincelli, Slim Man, Stacey Knights, Paula Atherton, Johnny Holliday & Lynn Riley.
I am also the guitarist for a group called the "Azul Experience," comprised of four instrumentalists and five vocalist. We are all (prior & active) AF members who share the unique experience of performing with Tops in Blue. The band has been especially active backing noted jazz artists such as: Althea Rene', Tom Browne, Julian Vaughn, Steve Oliver, 3rd Force & Elizabeth Mis. We've even had the pleasure of opening for Brian Culbertson.
I am also a songwriter, vocalist, arranger and producer. I've been married since 1978 to Joann (Christensen) and we have two wonderful kids, Chris II (an accomplished drummer) and Candice (Daddy's girl) and three awesome grandchildren; Ray-Ray, Cadence & Ci-Ci
Have you performed in front of an audience?
I primarily play all over the San Antonio metropolitan area. However, I'm looking to expand my presence across the U.S. and overseas.
Your musical influences
Paul Jackson Jr., Robben Ford, Larry Carlton, George Benson, Norman Brown, Gerald Albright, The Temptations, The Dramatics, Michael Jackson, Babyface
What equipment do you use?
I have a variety of guitars (mostly electric), effects pedal boards and for recording, I primarily work in Logic.
Converse (San Antonio), TX
USA
ID
1160365
Contact
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Comments (1)
I do not have the words to describe this remarkable track…Your guitar is sooooooo good. Just enjoyed this wonderful Jazz treat. Awesome work.
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