Blues Scholar
Filter
skim the edge skim the edge
Recorded on Koch Classic SE using Shure SM-57 Guitar: Custom made Telecaster (The Bluescaster) Bass: Squier Vintage Modified Jazz Bass Pedals: Delay (Hardwire DL-8), JAM Fuzz (handmade, point to point, withe germanium transistor)
weekday blues weekday blues
recorded on Boss BR-600 using an accostic Epiphone, a Fender telecaster 1972 thinline, a Squier Vintage Modified Jazz Bass. All instruments pugged straight to a Kustom Defender 50W tube amp
Maria's sunday night blues Maria's sunday night blues
Recorded on BR-600, using a Peerless Wizard Custom on all tracks. Amp: Kustom Defender
Blues-Rock Song A Blues-Rock Song A
Recorded on a Kustom Defender amp with a Gibson Les Paul plugged straight with no effects. Pure valve overdrive. On Solo, the Gibson Les Paul is plugged into an Ibanez Tubescreamer TS-9 and into the overdriven amp.
Gershwin inspired bluesy interpretation Gershwin inspired bluesy interpretation
Recorded on BR-600 using an american fender Stratocaster (neck pick up). Amp: Kustom Defender. Effects: Slight delay on solo through Digitech's Hardwire DL-8
Fu(n)k the solo Fu(n)k the solo
Recorded using the Fender '72 Telecaster Thinline on a Kustom Defender amp. Effects: Dunlop Crybaby Classic on teh wah channel. Channel 1: plain chords Channel 2: Octaves a la Wes Montgomery Channel 3: wah Channel 4: Bass (Boss Br-600 voicing)
Blues in C Blues in C
Recorded with BR-600. Fender US Stratocaster., pluged straight into the BR Bass: voicing from BR-600.
Blues with a swing feeling Blues with a swing feeling
Recorded using BR-600. Gear: Gibson Les Paul Standard faded w/burstbuckers (both pick ups) plugged into a Kustom Defender amplifier
new miserable bastard song new miserable bastard song
recorded by BR-600, played with a US Fender Stratocaster. Amplifier: Kustom Defender. Microphone straight to the speaker
de-structuring the influence de-structuring the influence
Fender American Stratocaster, slight delay on chords (Hardwire DL-8). On solo: Tubescreamer TS-9 without any delay or reverb.
Melting pot Melting pot
A jazzy attempt. Gear: '72 Telecaster Thinline, Hardwire DL-8 set in Analogue. Bass using the Boss-BR600 voicing
Untitled#1 Untitled#1
Track 1: chords (slight analog delay) / Track 2: Arpeggios (tape echo) / Track 3: Fretless bass simulation from BR-600 / Track 4: Solo (TS-9, tape echo). Same guitar everywhere (Fender American Stratocaster)
4 roses for a kick start 4 roses for a kick start
written using a fender tele '72 thinline, digitech hardwire delay, tuna melt tremolo, dunlop classic wah, using a mic-ed fender super champ xd
wah-t-rem wah-t-rem
Written using tuna melt tremolo pedal for the backing track and o/d blackface amp voicing. For some of the solos, I have used the Dunlop Crybaby Classic. I have abused the US Fender Stratocaster on this one...
My scratchy wah pedal My scratchy wah pedal
testing a used wah pedal (crybaby classic)
Maker's Mark, left its mark Maker's Mark, left its mark
a couple of bourbons more... then a couple more... and guess what! a couple of bourbons more!
after the turkey's gone after the turkey's gone
Song written after some Wild Turkey (no ice, just some soda). No oranges as well...
