Ashley Kyo
Ashley Kyo KL producer turned spotlight star, blending emotional storytelling and infectious energy after years ghost-producing for Malaysias biggest acts.
Tense cinematic with haunting piano, subtle strings, and pulsing electronic beats. Dark, suspenseful vibe blending orchestral drama and dance energy as a soldier fights to survive behind enemy lines.
"Recovery" is a licensable Classical Film Score Classical track by Ashley Kyo, available on SoundClick. There is an authenticity to the performance that draws the listener in. It does not contain any samples or third-party loops. No vocals are used in this instrumental beat. With its solid bounce rhythm, the song draws the listener in with ease. It has reached #23 on the main SoundClick Classical chart. The track is available for licensing at $25.00 on SoundClick — a resource for producers, creators, and content makers looking for quality Classical Film Score Classical music.
Tense cinematic music with haunting piano, subtle strings, and distant war drums. Dark, suspenseful mood capturing a lone soldiers struggle to survive behind enemy lines under heavy fire.
Ashley Kyo delivers a moody Classical Film Score Classical experience on SoundClick with "Protect". The track carries an emotional weight that lingers well after it ends. No external samples are used in this track. No vocals are used in this beat, giving you unlimited production options. The track has a consistent pulse quality that makes it easy to connect with. "Protect" has peaked at number 6 on the SoundClick Classical Film Score chart. Need a moody beat for your next project? "Protect" is available to license on SoundClick for $25.00.
Upbeat electronic dance beat with punchy drums, vibrant synths, and catchy melodies. Energetic, festival-ready vibe with a driving rhythm perfect for club and party scenes.
"Time" is a hopeful Dance & Electronic Beats track by Ashley Kyo, released on SoundClick. Rooted in Dance, Electronic and Dance Beat, the song brings a powerful energy to the Dance & Electronic Beats space. It is 100% original and free of any third-party samples. It is a vocal-free instrumental beat, allowing for complete freedom in post-production. With its body-moving rhythm, the song draws the listener in with ease. Fans and creators alike who love the sound of Electronic Music can license "Time" directly from Ashley Kyo on SoundClick for $25.00.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
Ashley Kyo a producer from Kuala Lumpur making her official debut after years behind the scenes. Having ghost-produced tracks for major label artists in Malaysias pop and R&B scene, Ashley now steps into the spotlight with a sound that blends emotional storytelling with energy.
Ashley Kyo is a Kuala Lumpur based producer artist blending cinematic R&B and electronic pop, evolving from years as a ghost-producer into a visually striking, story-driven solo career.
Ashley recalls standing side-stage at a packed Kuala Lumpur arena, hearing the crowd scream to a song she produced but couldnt publicly claim a bittersweet moment that fueled her decision to step into the spotlight.
Ashleys sound is like The Weeknds cinematic R&B walking through the neon-lit streets of Seoul and Tokyo, guided by the precision of producers like Max Martin and the soul of Nujabes.
My studios in my bedroom, so everything I own has to pull its weight. Im not into collecting shiny toys I barely use I buy gear when Ive earned it, and when I know itll actually level up my sound. I started with a budget interface and a hand-me-down MIDI keyboard, but over time I upgraded piece by piece. I like knowing my setup isnt the fanciest, but Ive made tracks people thought were recorded in a high-end studio. Its proof that its not about the gear its about how you use it.