Slayv Axis
NEWS   02/28/2007: The 5th cd "Rejekted/Defektive" is released.

01/2007: The track "Pulse" writtem in conjunction with Dark Sun, is released on "Interbreeding IX: Kuru" dcd compilation from the BLC Productions label.

11/22/2006: The track "Whore" is released on the "No Noise Is Good Noise" compilation from Australian label Noise Machine. This is Slayv Axis' fist ever compilation appearance.

10/23/2006: Releases the 4th Slayv Axis album "Suicide Faktory" on the Mechanismz label.

2/2006: Releases the 3rd Slayv Axis album entitled "Remix V.1", remixed by powernoise greats such as Terrorfakt as well as Panzer Division, Vuxnut, Dark Sun, Kalishnikov & more.

12/2005: Signs to the Mechanismz label.

8/05/2005: sLaYv AxiS is spun @ the world famous powernoise club Das Bunker for the 1st time.

7/17/2005: Gets Radio airplay for the 1st time ever @ Cyberage Radio 89.9 FM Albequerque, NM... MP3 stream & playlist here: http://www.cyberage.cx/cgi-bin/index.cgi?do=playlist&date=071705

2/28/05: Releases 2nd album "Empyrie".

9/11/04: Releases Debut CD "HateCrime SuperHero".

3/29/04: Debut's on SoundClick.

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sLaYv Axis was THE 1st technofied noise artist to infiltrate the soundclick Noise charts.

sLaYv AxiS was one of the pioneering american dance-oriented powernoise artists as evident with tracks from 1998-1999 such as "Var" & "Anihilnation".
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play lo-fi play hi-fi  Lifeless
play lo-fi play hi-fi  Viral Lode - H5N1 (Slayv Axis Remix)
play lo-fi play hi-fi  Suicide ( :[DFKT]: Remix)
play lo-fi play hi-fi  Bow Down (Beat Down Mix by: Spit Static)
play lo-fi play hi-fi  Axis Of Eevil (Vuxnut Remix #2)
play lo-fi play hi-fi  Duck & Cover
play lo-fi play hi-fi  Devastation
play lo-fi play hi-fi  Burning Desire
play lo-fi play hi-fi  Protozoa
play lo-fi play hi-fi  American
sLaYv AxiS was primarily a PowerNoize/HardkoreTekno project. The earlier material can be described as Delta-9 meets Terrorfakt, but far more primitive in quality. As time has passed, sLaYv AxiS has evolved into a greatly improved entity due to slightly less distortion & more emphasis on actual synthesis. These changes have given the project a distinct Minimal Hard Trance/Elektro-Industrial edge with a much better production quality.


sLaYv AxiS was born from the ashes of a once-great eMpYrie known as America. In a state of impending anarchy caused by excessive freedoms sLaYv AxiS is the HateCrime SuperHero here to save you from Flower Power pascifist hippies. This is a declaration of war! An all-out sonic assault onto all who listen.


-KONTAKT-

-sLaYv AxiS MP3s @ MySpace-

-sLaYv AxiS MP3s @ AudioStreet-

-sLaYv AxiS MP3s @ PureVolume-

-sLaYv AxiS MP3s & Remix Packs @ RemixWars-

-sLaYv AxiS LiveJournal page-

AIM/AOL: L0HR (spelled with a ZER0).

Email: slayv@zlink.net



If you enjoy the music of sLaYv AxiS please PROVE IT by purchasing my albums!! I cannot stress enough that it is imperative to support the scene. I work hard to provide you with quality music. I have heard many people say they loved my music but saying that is simple. If you truely like my music, buy my god damn albums!!! Everytime some says my music is great i don't beleive them because talk is cheep, actions speak louder than words. If you can't afford a lousy $5 for one album then prove to me in other ways your respect for me & love of my music by giving me concerts to play, remixing my songs or even advertizing Slayv Axis.



Why this name?
LoHr used to be a software programmer/hacker and he originally used the Slayv Axis name for a Trojan virus he once wrote.
How, do you think, does the internet (or mp3) change the music industry?
F*** the music industry. music is about self-expression and art, the music industry is about money and greed... so on that note, GIMME 'MO $$$$ BIZNICHEZZ!!!
Would you sign a record contract with a major label?
Hell no! f*** the majors... corporate money greedy un-artistic assholes that drain the life force from their slayvs. err.. i mean "artists". but a cool indy lable would b nice.
Band History:
1992: began experimentations with sound (a drum machine, a guitar & tape loops).

1993: still experimenting with sounds.

1994: adds a guitarist the the band, plays generic industrial/metal, later adds a drummer and a bass player, plays generic death metal.

1995: (the end pt.1) jail

1996: still in jail

1997: buys some gear, performs simple ambient noise/electro-industrial.

1998: expands music style to include trance & house music

1999: focused on a primitive form of what is now called "techno powernoise".

2000: (the end pt. 2) personal life difficulties forces Lohr to sell all his gear off to pawn shops.

2001: heavy drug abuse, excessive drinking & homelessness.

2002: heavy drug abuse, excessive drinking & homelessness still.

2003: spring/summer: Lohr gets his life back on track again. fall/winter: buys some new gear (again), spends the remainder of '03 learning.

2004: self-releases debut album demo "HateCrime SuperHero". continues to compose and refine his take on technoise while prepairing a second album.

2005: releases a 2nd album "Empyrie", starts getting noticed a little by people such as Tommy T of Cyberage Radio/DSBP & The Operative of Mechanismz/Das Bunker/Sonic Spasmz.

2006: signs to the Mechanismz label for one album. Releases two new albums, Appears on a noise compilation from the Australia based Noize Machine label...

2007: A couple compilation appearances on Soviet Media Kompilation & Interbreeding IX - Kuru... The 5th cd "Rejekted/Defektive" released.
Your influences?
I would have said the fans influence me, but seeing as how i have no fans, i'll say nothing influences me.
Equipment used:
Gear used on the Suicide Faktory album:
Reason 2.5
Alesis 12r mixer.

Gear used on the Empyrie album:
Reason 2.5
Quasimidi Raven
Quasimidi Technox
Roland MC-303
Yamaha CS1X
Elektron SidStation
Waldorf Microwave XT
Spectral Audio Neptune
Spectral Audio Syntrack
Doepfer MS-404
2 Alesis 12r mixers.

Gear used on the HateCrime SuperHero album:
Reason 2.5
ReBirth 2.0
Quasimidi Sirius
Quasimidi Raven
RedSound Elevata
Elektron SidStation
2 Alesis 12r mixers