improperly grounded amplifiers

You are playing live right now. I bet you dont even know it.

I think that the internet will change the way the music industry works. i think that with the advent of file sharing technology that major lables will have to concentrate on performance as their mechanism for generating money, while record sales will become secondary if not non existent. I think that large superstar artists will become a thing of the past, and be replaced by smaller scenes on a local basis.
Recorded music after all is an inacurate representation of music. Mp3's and digital audio in general are just one's and zeros that produce an inacurate replication of the music, and with freely available downloads of recorded media, the thing that is valued most by audiences will become live performance.

BIG AMERICAN DOLLARS IN MY POCKET

lectric hum, mains hum, or power line hum is an audible oscillation at the frequency of the mains alternating current, which is usually 50 or 60 hertz depending on the local electric utility configuration (see Mains electricity). The sound often has heavy harmonic content.
The most common cause of electric hum is magnetostriction, wherein ferromagnetic materials change shape minutely when exposed to magnetic fields. Magnetostrictive electric hum is most often noticed around large linear transformers, particularly when the transformers are handling large amounts of current.
In the realm of sound reinforcement (as in public address systems and loudspeakers), electric hum is often caused by induction. This hum is generated by oscillating electric currents induced in sensitive (high gain) audio circuitry by the alternating electromagnetic fields emanating from nearby mains-powered devices like power transformers. The audible aspect of this sort of electric hum is produced by amplifiers and loudspeakers.
It is often the case that electric hum at a venue is picked up via a ground loop. In this situation, an amplifier and a mixing desk are typically at some distance from one another. The chassis of both items are grounded via the mains earth pin, and are also connected along a different pathway via the shield conductor of a shielded cable. As these two pathways do not run alongside each other, an electrical circuit in the shape of a loop is formed. One gets the same situation occurring between musical instrument amplifiers on the stage and the mixing desk. To fix this, stage equipment often has a "ground lift" switch which breaks the loop. A more dangerous but frequently used option is to snap the earth pin off the power plug used at the mixing desk.
The other major source of hum in audio equipment is shared impedances; when a heavy current is flowing through a conductor (a ground trace) that a small-signal device is also connected to. No conductor is perfect, and the small resistance present means that devices using points on that conductor as a ground reference will be at slightly different potentials. This hum is usually at the second harmonic of the power line frequency (100 Hz or 120 Hz), since the heavy ground currents are from AC to DC converters that rectify the mains waveform. See also ground loop.
Assuming a tempered scale with A=440Hz, a 60Hz tone is almost exactly halfway between A# and B two octaves below Middle C, and a 50Hz tone is between G and G# two octaves below Middle C, but slightly sharper than the quarter-tone. These notes fall within the range of a 4-string bass guitar.

Everything. It all makes noise.

computer, brain, coffee